Mississippi River Valley -- Social life and customs
It is in summer that the Middle Western provinces most candidly present
themselves, not only because the fields then publish their richness
but for the ease with which the people may be observed. The study of
types may then be pursued along the multitudinous avenues in which
the Folks disport themselves in search of pleasure. The smoothing-out
processes, to which schools, tailors, dressmakers, and “shine-’em”
parlors contribute, add to the perils of the type-hunter. Mr. Howells’s
remark of twenty years ago or more, that the polish slowly dims on
footgear as one travels westward, has ceased to be true; types once
familiar are so disguised or modified as to be unrecognizable. Even the
Western county-seat, long rich in “character,” now flaunts the smartest
apparel in its shop-windows, and when it reappears in Main Street upon
the forms of the citizens one is convinced of the local prosperity
and good taste. The keeper of the livery-stable, a stout gentleman,
who knows every man, woman, and child in the county and aspires to
the shrievalty, has bowed before the all-pervasive automobile. He
has transformed his stable into a garage (with a plate-glass “front”
exposing the latest model) and hides his galluses (shamelessly
exhibited in the day of the horse) under a coat of modish cut, in
deference to the sensibilities of lady patrons. The country lawyer is
abandoning the trailing frock coat, once the sacred vestment of his
profession, having found that the wrinkled tails evoked unfavorable
comment from his sons and daughters when they came home from college.
The village drunkard is no longer pointed out commiseratingly; local
option and State-wide prohibition have destroyed his usefulness as an
awful example, and his resourcefulness is taxed to the utmost that he
may keep tryst with the skulking bootlegger.
Every town used to have a usurer, a merchant who was “mean” (both
of these were frequently pillars in the church), and a dishevelled
photographer whose artistic ability was measured by the success of his
efforts to make the baby laugh. He solaced himself with the flute or
violin between “sittings,” not wholly without reference to the charms
of the milliner over the way. In the towns I have in mind there was
always the young man who would have had a brilliant career but for his
passion for gambling, the aleatory means of his destruction being an
all-night poker-game in the back room of his law-office opposite the
court-house. He may appropriately be grouped with the man who had been
ruined by “going security” for a friend, who was spoken of pityingly
while the beneficiary of his misplaced confidence, having gained
affluence, was execrated. The race is growing better and wiser, and
by one means and another these types have been forced from the stage;
or perhaps more properly it should be said that the stage and the
picture-screen alone seem unaware that they have passed into oblivion.
[Illustration: The Municipal Recreation Pier, Chicago.]
Public-domain text, read in full here on John Shaqi.
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