Adventure stories; China -- Fiction; Science fiction; Tibet Autonomous Region (China) -- Fiction
And now I come to the first of those mysterious episodes that happened
on our journey up country and bear, as I now see, so profoundly on
the queer adventures we were to meet with afterwards. I have made my
account of this with great care and constant reference to the very
clear recollection of the event my memory retains; and I don't think
that in what follows there is one jot more or less than I actually
observed.
I don't know whether it was because of the heat, which was steamy and
penetrating, or because of the mosquitoes that had already come up in
clouds from the swampy land bordering the creek; but weary as I was,
I couldn't sleep a wink. I lay tossing and turning and going over in
my mind our jumpy experiences of the past forty-eight hours, and the
longer I lay, the more feverishly alert I grew. Every noise of the
night, the mumble of talk from the servants' quarters at the far end
of the inn, an occasional clanging ricsha-bell away in the city, the
screech of an early cicada on the lawns, even the subtle hiss of water
among the roots of the willows beneath our wall--all came to my ears
magnified about fourfold. When Philipson withdrew to his bedroom some
hours after I had left him, the noise he made was relatively deafening.
I heard him throw himself on to the bed with a jangle of springs, and
then lay dozing, praying for sleep but more honestly inclined to swear
at my insomnia.
At last, opening my eyes, I saw there was a curious light outside the
window, so bright that at first I thought some native house on the
other side of the creek must be going up in flames. I got out of bed
and looked on to the verandah that ran along outside our wing of the
inn. Then I saw where the illumination came from: it was the moon, full
and brilliant, which had climbed round to that side of the building
and was bathing the creek in a glory of silver and gold. Without the
distraction of stewy heat and savage mosquitoes it would have been a
picture to paint or write poetry about.
Then, suddenly, I became conscious of voices farther along the
verandah. I couldn't distinguish the words, but I knew at once the
language was not English. Nor was it any dialect of Chinese I ever
struck, and I have heard and spoken most. All caution drowned in a
prickling curiosity, I stepped noiselessly out on to the verandah
and peeped round the jutting stone jamb of the window. Now I saw the
speakers, and at the sight I could have cried out in my astonishment.
There were two figures, a man and a woman. The former looked to me
uncommonly like Saunders Philipson, dressed as I had left him a few
hours before. The real stunning surprise for me, however, was in the
appearance of the woman. She was no dusky, cramp-footed native, but
manifestly European, tall, queenly, with bare head and loose gown, and
so far as I could distinguish her features, of a remarkable beauty.
Public-domain text, read in full here on John Shaqi.
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