O TOYO. Be not frightened--you have no need. Now I shall sleep. He, too, is sleeping. Perhaps--perhaps he is suffering. Shall I touch him with my hands? Perhaps he is hungry for my kisses-- Shall I kiss him? KASHIKU. It were a fitting thing to kiss thy lord. O TOYO. You know not what you say, Kashiku. KASHIKU. My lady-- O TOYO. You have not heard me say strange things, Kashiku. KASHIKU. I have heard-- O TOYO. Nothing. KASHIKU. Nothing, my lady. O TOYO. Put out the lamps. [KASHIKU _blows out candles on dressing table_.] Go now, Kashiku, and do you sleep deeply, Breathing poppies. KASHIKU. My lady-- O TOYO. Go. [KASHIKU _opens shoji R. and goes out shutting it after her_. O TOYO _crosses, too, and lies on the sleeping mat. The room is almost in total darkness._] O TOYO. I shall kiss him--I shall kiss him! [_The lantern at the head of the sleeping mat glows more and more brightly until a cat's head appears on it. At this moment a cat-call comes from the garden._ (NOTE.--If these effects cannot be gotten with no hint of the ludicrous, have the lantern glow with increasing light but use no cat's head or cat call.) _With the increase of light_, O TOYO _has begun to moan and toss and at the moment of the cat-call she rises as in a trance and goes towards the door L. As she passes the screen_ ITO SODA _steps out from behind it and plunges his dirk into her back; she falls with a little, stifled cry. Instantly, in utter darkness, the curtain falls._] END OF THE PLAY. Hageman's Make-Up Book By MAURICE HAGEMAN Price, 25 cents The importance of an effective make-up is becoming more apparent to the professional actor every year, but hitherto there has been no book on the subject describing the modern methods and at the same time covering all branches of the art. This want has now been filled. Mr. Hageman has had an experience of twenty years as actor and stage-manager, and his well-known literary ability has enabled him to put the knowledge so gained into shape to be of use to others. The book is an encyclopedia of the art of making up. Every branch of the subject is exhaustively treated, and few questions can be asked by professional or amateur that cannot be answered by this admirable hand-book. It is not only the best make-up book ever published, but it is not likely to be superseded by any other. It is absolutely indispensable to every ambitious actor. CONTENTS Chapter I. =General Remarks.= Chapter II. =Grease-Paints, their origin, components and use.= Chapter III. =The Make-up Box.= Grease-Paints, Mirrors, Face Powder and Puff, Exora Cream, Rouge, Liquid Color, Grenadine, Blue for the Eyelids, Brilliantine for the Hair, Nose Putty, Wig Paste, Mascaro, Crape Hair, Spirit Gum, Scissors, Artists' Stomps, Cold Cream, Cocoa Butter, Recipes for Cold Cream.