England -- Social life and customs -- 20th century -- Fiction; Social classes -- England -- Fiction
By the time morning was come Norah had decided that she would rather go
on the stage than be engaged to Wilfred Curlew. The extraordinary thing
was that she should never have realized, before her conversation with
Mr. Vavasour, how obviously the stage was indicated as the right career
for her. It was true that she had never until now seriously contemplated
a career, and the mild way she had accepted herself merely as the most
important member of a large family was sufficient answer to the silly
accusations made by her father last night. Perhaps he would begin to
appreciate her now when he was on the point of losing her; perhaps he
would regret that he had ever suggested she was indifferent to the
claims of family life; in future she should take care to be indifferent
to everybody's feelings except her own; she would teach her father a
lesson. It never entered Norah's head that there would be any difficulty
about going on the stage apart from paternal opposition, and she
wondered how many famous people had owed their careers to a fortuitous
event like her meeting with Mr. Vavasour. At any rate, it would not be
more difficult to obtain her father's permission to embark on this
suddenly conceived adventure than it would be to obtain his permission
to wear on the third finger of her left hand the rather cheap ring that
was the outward sign of her intention to marry Wilfred. Confronted by
the two alternatives--success in the theater and matrimony with
Wilfred--she felt that success was much the less remote of the two; in
fact, the more she thought about it the farther away receded matrimony
and the more clearly defined became success. "I don't want to be a great
actress," she explained to herself; "I want to be a successful actress."
She half made up her mind to go out and talk to Lily about the new
project, but on second thoughts she decided not to alarm her parents by
any prospect so definite as would be implied in availing herself of the
practical assistance that Lily and her mother could afford her in
carrying out her plan. It would be more tactful to present as
alternatives the definite fact of being engaged to Wilfred or the
indefinite idea of being able some time or other in the future to adopt
the stage as a profession. The more Norah thought about Wilfred the less
in love with him she felt, and the less in love with him she felt the
easier would be her task to-night. In her note she had told him to come
in after supper, as usual, but she had not said a word about her
intention to precipitate their affair. Would it impress her father if
she and Wilfred were to meet him at the station and approach the subject
before supper? No, on the whole, she decided, it would be more prudent
to provoke the final scene otherwise, and her heart quickened slightly
at the thought of the surprise she was going to spring upon the family
that evening.
Public-domain text, read in full here on John Shaqi.
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