England -- Social life and customs -- 20th century -- Fiction; Social classes -- England -- Fiction
Dorothy grunted at this accusation, but she refused to surrender her
bed, and Norah soon gave up talking in general terms about people who
were afraid to expose themselves to a little inconvenience for the sake
of doing a kind action, because Lily arrived next day with the news that
her sister had obtained leave to be "off" for a week and was advising
her to do everything she could to get an engagement as soon as possible.
There were problems of arrears of rent and unpaid bills from the
solution of which it would be advantageous for Lily to escape by going
on tour. The few personal possessions of their mother the sisters would
divide between them, and the undertaker was to be satisfied at the
expense of a fishmonger who, being new to West Kensington, had let Mrs.
Haden run an account.
"And your father?" Norah could not help asking; but Lily avoided a
reply, and Norah, who had been too well brought up to ask twice, formed
her own conclusions.
"Anyway, my dear," she assured her friend, "you can count on me. I
hadn't intended to do anything definite until I was nineteen, but of
course I'm not going to desert you. So we'll go and interview managers
together."
"Doris advises me to try Walter Keal," said Lily. "Dick--her
husband--has given me a letter for him which may be useful, he says."
"Who's Walter Keal?"
"Don't you know?" exclaimed Lily. "He sends out all the Vanity shows."
Norah bit her lips in mortification. She hated not to know things and
decided to avoid meeting Doris, who as a professional actress of at
least a year's standing would be likely to patronize her.
"You see," Lily went on, "he'll be sending out 'Miss Elsie of Chelsea'
at the end of December, and if we could get in the chorus we should be
all right till June."
"The chorus?" echoed Norah, disdainfully. "I never thought of joining
the chorus of a musical comedy."
"It might only be for a few months, and when you're with Walter Keal
there's always the chance of getting to the Vanity."
"A Vanity girl!" repeated Norah, scornfully. "For everybody to look at!"
Lily told her friend that it was better to be looked at as a Vanity girl
than to spend her life looking at other people from a window in West
Kensington.
"But I can't sing," Norah objected.
"Sing! Who ever heard of a chorus-girl that could sing?"
The lowly position of a Vanity girl was not proof against the alchemy of
Norah's self-esteem; she made up her mind to renounce Pinero and all his
works and go into musical comedy.
When the two friends reached the small street off Leicester Square and
saw extending up the steps of the building in which the offices of Mr.
Walter Keal were situated an endless queue of girls waiting to interview
the manager, Norah was discouraged.
"Oh, he has lots of companies," Lily explained. Then she addressed
herself to a dirty-faced man with a collar much too large for him who
was in charge of the entrance.
"You give me your letter, and it'll be all right."
Public-domain text, read in full here on John Shaqi.
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