England -- Social life and customs -- 20th century -- Fiction; Social classes -- England -- Fiction
"You don't remember me, Mr. Keal," began Lily, timidly. "I was
introduced to you once in the Strand by my brother-in-law, Richard
Granville."
"I'm sure you were," interrupted Mr. Keal, curtly; but when he looked up
and saw that Lily was pretty he changed his tone. "That's all right;
don't be frightened. I've met so many girls in my time. Well, what can I
do for you?"
"I had a letter of introduction from my brother-in-law, Mr. Granville,"
Lily began again.
"Never heard of the gentleman," said Mr. Keal.
Norah, feeling that she and Lily stood once more on an equality, came
forward with assurance.
"We thought you were choosing girls for the chorus in 'Miss Elsie of
Chelsea.'"
"Full up," the manager snapped.
The Jewish young man bent over and whispered something to his master,
who took a long look at the girls.
"However, I might find you two extra places. What experience have you
had? None, eh? Can you sing? You think so. Um--yes--all girls think they
can sing. Well, I'll give you a chance, but I can't offer more than a
guinea a week of seven performances. If you don't like to take that,
there are plenty who will and be grateful. It's my Number One company."
Norah did not wait for Lily, but accepted for both of them.
"Are they going to let us have the club in Lisle Street, Fitzmaurice?"
the manager turned to inquire of his assistant.
"Yes, Mr. Keal. The club has arranged to lend their concert-room every
morning and afternoon this week, but if you want any evening calls we
shall have to make other arrangements."
"But ---- it all," Mr. Keal exclaimed, "when are we going to get the
stage?"
"They won't be able to let us have it till the week before Christmas."
"That's a nice ruddy job," grumbled Mr. Keal. "All right, dears," he
said, "go in there and get your contracts." He pointed to the room
adjoining, where, amid an infernal rattle of typewriters, Lily and Norah
sold their untried talents to Mr. Keal for a guinea a week of seven
performances, extra matinées to be paid for at half rate, and a
fortnight's salary in lieu of notice to be considered just. When she
took up the pen to sign the contract Norah paused.
"You've put your own name, Lily," she said, doubtfully.
"Oh, I can't be bothered to think of a new name. Besides, my own is
quite a good one for the stage."
"Yes, but I ought to change mine. I think I shall call myself Dorothy
Lonsdale. Do you like that?"
"You've got a sister called Dorothy. Won't she be rather annoyed?"
Norah tried to think of another name, but she was confused by the noise
of the typewriters, and at last she ejaculated, impatiently:
"Oh, bother, I must be Dorothy! I've always known it would suit me much
better than her. I shouldn't mind if she called herself Norah. Besides,
I sha'n't be Dorothy Caffyn, so what does it matter?"
They were told that their contracts would be handed to them at the
rehearsal called for to-morrow morning at the Hungarian Artistes' Club,
Lisle Street, Leicester Square.
Public-domain text, read in full here on John Shaqi.
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