The Vatican swindle : $b (Les caves du Vatican)Gide, André
General
The Vatican swindle : $b (Les caves du Vatican)
Gide, André
Detective and mystery stories; French fiction -- Translations into English
They step into the passage; Wladimir advances gravely--mysteriously,
carrying the lantern well in front of him; they look as if they are
accomplishing a rite or walking in a procession; Cadio is a little
unsteady on his feet, for he is still dazed with dreaming; but curiosity
soon clears his brains. As they pass his mother’s room, they both stop
for a moment and listen--not a sound! The whole house is fast asleep.
When they reach the landing they hear the snoring of a footman whose
room is in the attics. They go downstairs. Wladi’s stockinged feet drop
on the steps as softly as cotton-wool; at the slightest creak he turns
round, looking so furious that Cadio can hardly keep from laughing. He
points out one particular step and signs to him not to tread on it, with
as much seriousness as if they were really in danger. Cadio takes care
not to spoil his pleasure by asking himself whether these precautions
are necessary, nor what can be the meaning of it all; he enters into the
spirit of the game and slides down the banister, past the step.... He
is so tremendously entertained by Wladi that he would go through fire
and water to follow him.
When they reach the ground floor, they both sit down on the bottom step
for a moment’s breathing-space; Wladi nods his head and gives vent to a
little sigh through his nose, as much as to say: ‘My word! we’ve had a
narrow squeak!’ They start off again. At the drawing-room door, what
redoubled precautions! The lantern, which it is now Cadio’s turn to
hold, lights up the room so queerly that the boy hardly recognises it;
it seems to him fantastically big; a ray of light steals through a chink
in the shutters; everything is plunged in a supernatural calm; he is
reminded of a pond the moment before the stealthy casting of a net; and
he recognises all the familiar objects, each one there in its place--but
for the first time he realises their strangeness.
Wladi goes up to the piano, half opens it and lightly touches two or
three notes with his finger-tips, so as to draw from them the lightest
of sounds. Suddenly the lid slips from his hand and falls with a
terrific din. (The mere recollection of it made Lafcadio jump again.)
Wladi makes a dash at the lantern, muffles it and then crumples up into
an arm-chair; Cadio slips under the table; they stay endless minutes,
waiting motionless, listening in the dark ... but no--nothing stirs in
the house; in the distance a dog bays the moon. Then gently, slowly,
Wladi uncovers the lantern.
Public-domain text, read in full here on John Shaqi.
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