The Vatican swindle : $b (Les caves du Vatican)Gide, André
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The Vatican swindle : $b (Les caves du Vatican)
Gide, André
Detective and mystery stories; French fiction -- Translations into English
“I am ... I have just finished a rather important piece of work; it’s a
small piece of work which I have no time to copy out myself. Someone
mentioned you to me as having an excellent handwriting and I thought
that, perhaps ...” here Julius’s glance travelled eloquently over the
bareness of the room--“I thought that perhaps you would have no
objection....”
“There is no one in Paris,” interrupted Lafcadio, “no one who could have
mentioned my handwriting to you.” As he spoke, he directed his eyes
towards the drawer, in opening which Julius had unwittingly destroyed a
minute and almost invisible seal of soft wax; then turning the key
violently in the lock and putting it in his pocket:
“No one, that is, who has any right to”; and as he spoke he watched
Julius’s face redden.
“On the other hand” (he spoke very slowly--almost stolidly, without any
expression at all), “I don’t quite grasp so far what reasons Monsieur
...” (he looked at the card) “what reasons Count Julius de Baraglioul
can have for taking a special interest in me. Nevertheless” (and his
voice suddenly became smooth and mellifluous in imitation of Julius’s),
“your proposal deserves to be taken into consideration by a person who,
as it has not escaped you, is in need of money.” (He got up.) “Kindly
allow me to bring you my answer to-morrow morning.”
The hint to leave was unmistakable. Julius felt too uncomfortable to
insist. He took up his hat, hesitated an instant and then:
“I should have liked a little further talk with you,” he said awkwardly.
“Let me hope that to-morrow ... I shall expect you any time after ten
o’clock.”
Lafcadio bowed.
* * * * *
As soon as Julius had turned the corner of the passage, Lafcadio pushed
to the door and bolted it. He ran to the drawer, pulled out the
pocket-book, opened it at the last telltale page and just at the place
where he had left off several months before, he wrote in pencil in a
large hand, sloping defiantly backwards and very unlike the former:
“For having let Olibrius poke his dirty nose into this book ... 1
punta.”
He took a penknife out of his pocket; its blade had been sharpened away
until nothing was left of it but a short point like a stiletto, which he
passed over the flame of a match and then thrust through his trouser
pocket, straight into his thigh. In spite of himself he made a grimace.
But he was still not satisfied. Leaning upon the table, without sitting
down, he again wrote just below the last sentence:
“And for having shown him that I knew it ... 2 punte.”
This time he hesitated; unfastened his trousers and turned them down on
one side. He looked at his thigh in which the little wound he had just
made was bleeding; he examined the scars of similar wounds, which were
like vaccination marks all round. Then, having once more passed the
blade over the flame of a match, he very quickly and twice in succession
plunged it into his flesh.
Public-domain text, read in full here on John Shaqi.
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