The Vatican swindle : $b (Les caves du Vatican)Gide, André
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The Vatican swindle : $b (Les caves du Vatican)
Gide, André
Detective and mystery stories; French fiction -- Translations into English
Thus chatting, they walked along. They took the Via Viminale; then the
Via Agostino Depretis, which runs into the Viminale at the Pincio; then
by way of the Via Nazionale they got into the Corso, which they crossed;
after this their way lay through a number of little streets without any
names. The portmanteau was not so heavy as to prevent the facchino from
stepping out briskly; and Fleurissoire could hardly keep up with him. He
trotted along beside Baptistin, dropping with fatigue and dripping with
heat.
“Here we are!” said Baptistin at last, just as Amédée was going to beg
for quarter.
The street, or rather the alley of the Vecchierelli, was dark and
narrow--so much so that Fleurissoire hesitated to enter it. Baptistin,
in the meantime, had gone into the second house on the right, the door
of which was only a few yards from the quay; at the same moment,
Fleurissoire saw a _bersagliere_ come out; the smart uniform which he
had noticed at the frontier, reassured him--for he had confidence in
the army. He advanced a few steps. A lady appeared on the threshold (the
landlady of the inn apparently) and smiled at him affably. She wore an
apron of black satin, bracelets, and a sky-blue silk ribbon round her
neck; her jet-black hair was piled in an edifice on the top of her head
and sat heavily on an enormous tortoise-shell comb.
“Your portmanteau has been carried up to the third floor,” said she to
Amédée in French, using the intimate “thou,” which he imagined must be
an Italian custom, or must else be set down to want of familiarity with
the language.
“_Grazia!_” he replied, smiling in his turn. “_Grazia!_--thank
you!”--the only Italian word he could say, and which he considered it
polite to put into the feminine when he was talking to a lady.
He went upstairs, stopping to gather breath and courage at every
landing, for he was worn out with fatigue, and the sordidness of the
staircase contributed to sink his spirits still lower. The landings
succeeded each other every ten steps; the stairs hesitated, tacked, made
three several attempts before they managed to reach a floor. From the
ceiling of the first landing hung a canary cage which could be seen from
the street. On to the second landing a mangy cat had dragged a haddock
skin, which she was preparing to bolt. On the third landing the door of
the closet stood wide open and revealed to view the seat, and beside it
a yellow earthenware vase, shaped like a top-hat, from whose cup
protruded the stick of a small mop; on this landing Amédée refrained
from stopping.
On the first floor a smoky gasolene lamp was hanging beside a large
glass door, on which the word _Salone_ was written in frosted letters;
but the room was dark, and Amédée could barely make out through the
glass panes of the door a mirror in a gold frame hanging on the wall
opposite.
Public-domain text, read in full here on John Shaqi.
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