The Hindu commentators here and there attempt to point out the reason why the discussion of a certain Vedic passage is immediately followed by the consideration of a certain other one. Their explanations--which have occasionally been referred to in the notes to the translation--rest on the assumption that the Sutrakara in arranging the texts to be commented upon was guided by technicalities of the Mima/m/sa-system, especially by a regard for the various so-called means of proof which the Mima/m/saka employs for the purpose of determining the proper meaning and position of scriptural passages. But that this was the guiding principle, is rendered altogether improbable by a simple tabular statement of the Vedic passages referred to in the first adhyaya, such as given by Deussen on page 130; for from the latter it appears that the order in which the Sutras exhibit the scriptural passages follows the order in which those passages themselves occur in the Upanishads, and it would certainly be a most strange coincidence if that order enabled us at the same time to exemplify the various prama/n/as of the Mima/m/sa in their due systematic succession. As Deussen's statement shows, most of the passages discussed are taken from the Chandogya Upanishad, so many indeed that the whole first adhyaya may be said to consist of a discussion of all those Chandogya passages of which it is doubtful whether they are concerned with Brahman or not, passages from the other Upanishads being brought in wherever an opportunity offers. Considering the prominent position assigned to the Upanishad mentioned, I think it likely that the Sutrakara meant to begin the series of doubtful texts with the first doubtful passage from the Chandogya, and that hence the sixth adhikara/n/a which treats of the anandamaya mentioned in the Taittiriya Upanishad has, in agreement with Ramanuja's views, to be separated from the subsequent adhikara/n/as, and to be combined with the preceding ones whose task it is to lay down the fundamental propositions regarding Brahman's nature.--The remaining adhikara/n/as of the first pada follow the order of passages in the Chandogya Upanishad, and therefore call for no remark; with the exception of the last adhikara/n/a, which refers to a Kaushitaki passage, for whose being introduced in this place I am not able to account.--The first adhikara/n/a of the second pada returns to the Chandogya Upanishad. The second one treats of a passage in the Ka/th/a Upanishad where a being is referred to which eats everything. The reason why that passage is introduced in this place seems to be correctly assigned in the /S/ri-bhashya, which remarks that, as in the preceding Sutra it had been argued that the highest Self is not an enjoyer, a doubt arises whether by that being which eats everything the highest Self can be meant[10]--The third adhikara/n/a again, whose topic is the 'two entered into the cave' (Ka/th/a Up. I, 3, 1), appears, as Ramanuja