The Veil Lifted: Modern Developments of Spirit Photography
Religion
The Veil Lifted: Modern Developments of Spirit Photography
Spirit photography; Spiritualism
Black was wonder-stricken, and got away the negative, no charge whatever
having been made. Mumler now claimed publicly to be a spirit-portrait
photographer, and as such he eventually opened a studio in New York,
having previously satisfied Silver, Gurney, and other photographers as
to the genuineness of his claims, never hesitating to operate in their
galleries if required, and with their apparatus and chemicals. Mumler
was arrested in New York; whether on the ground of witchcraft or of
endeavouring to obtain money under false pretences, I am at present
uncertain, but his trial was the sensation of the day, and numerous
witnesses were examined. He was honourably acquitted.
In this country, several who are amateur photographers have investigated
this subject with more or less success. These include some F.R.S.’s,
scientists, artists, and others. I question whether any have so
persistently done so as the late Mr. John Beattie, of Clifton, and his
friend, Dr. Thompson. Mr. Beattie was a skilled professional photographer
of the highest eminence who, some time prior to his death, had adopted
the views of the spiritualistic school. The figures he obtained on his
plates were much blurred in outline, some being misty in the extreme. I
possess some two or three dozen of these, taken by or in the presence
of, Mr. Beattie, whose intelligence, honesty, and powers of observation
no one would venture to doubt. Many such photographs are claimed to
have been produced by Hudson, a professional photographer, formerly of
the Holloway Road, and I submit for examination a work by the late Miss
Houghton, containing fifty-four of Hudson’s spirit photographs.
There are many ways by which, assuming the genuineness of only one of
all spirit photographs hitherto produced, the spurious article may be
made even better than any alleged real ones I have yet seen. A plate
secretly impressed previous or subsequent to being placed in the camera
fulfils the condition; so does one at the back of which is placed a
phosphorescent tablet in the dark slide. Pressure on the surface, such as
by that of a Woodbury relief film, also causes a developable image; in
short, trickery in a whole variety of forms may, and has been, impressed
into the service.
Public-domain text, read in full here on John Shaqi.
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