The Veiled Lady, and Other Men and WomenSmith, Francis Hopkinson
General
The Veiled Lady, and Other Men and Women
Smith, Francis Hopkinson
Short stories, American
For centuries the painters of Venice have seized and made their own the
objects they loved most in this wondrous City by the Sea. Canaletto,
ignoring every other beautiful thing, laid hold of quays backed by
lines of palaces bordering the Grand Canal, dotted with queer gondolas
rowed by gondoliers, in queerer hoods of red or black, depending on the
guild to which they belonged. Turner stamped his ownership on sunset
skies, silver dawns, illuminations, fetes, and once in a while on a
sweep down the canal past the Salute, its dome a huge incandescent
pearl. Ziem tied up to the long wall and water steps of the Public
Garden, aflame with sails of red and gold: he is still there--was the
last I heard of him, octogenarian as he is. Rico tacks his card to
garden walls splashed with the cool shadows of rose-pink oleanders
dropping their blossoms into white and green ripples, melting into
blue. As for me--I have laid hands on a canal--the Rio Giuseppe--all of
it--from the beginning of the red wall where the sailors land, along
its crookednesses to the side entrance of the Public Garden, and so
past the rookeries to the lagoon, where the tower of Castello is ready
to topple into the sea.
Not much of a canal--not much of a painting ground really, to the
masters who have gone before and are still at work, but a truly
lovable, lovely, and most enchanting possession to me their humble
disciple. Once you get into it you never want to get out, and, once
out, you are miserable until you get back again. On one side stretches
a row of rookeries--a maze of hanging clothes, fish-nets, balconies
hooded by awnings and topped by nondescript chimneys of all sizes and
patterns, with here and there a dab of vermilion and light red, the
whole brilliant against a china-blue sky. On the other runs the long
brick wall of the garden,--soggy, begrimed; streaked with moss and
lichen in bands of black-green and yellow ochre, over which mass and
sway the great sycamores that Ziem loves, their lower branches
interwoven with zinnober cedars gleaming in spots where the prying sun
drips gold.
Public-domain text, read in full here on John Shaqi.
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