The Veiled Lady, and Other Men and Women — John Shaqi
The Veiled Lady, and Other Men and WomenSmith, Francis Hopkinson
General
The Veiled Lady, and Other Men and Women
Smith, Francis Hopkinson
Short stories, American
These mornings in the gondola continued until she was ten years old.
Sometimes it was a melon held high in the air that tempted her; or a
basket of figs, or some huge bunches of grapes; or a roll and a broiled
fish from a passing cook-boat: but the bait always sufficed. With a
little cry of joy the beads would be dropped, or the neighbor's child
passed to another or whatever else occupied her busy head and small
hands, and away she would run to the water steps and hold out her arms
until Luigi rowed over and lifted her in. She had changed, of course,
in these five years, and was still changing, but only as an expanding
bud changes. The eyes were the same and so were the teeth--if any had
dropped out, newer and better ones had taken their places; the hair
though was richer, fuller, longer, more like coils of liquid jet, with
a blue sheen where the sky lights touched its folds. The tight, trim
little figure, too, had loosened out in certain places--especially
about the chest and hips. Before many years she would flower into the
purest type of the Venetian--the most beautiful woman the world knows.
At sixteen she burst into bloom.
I have never seen a black tulip, not a real velvet-black, but if inside
its shroud of glossy enfoldings--so like Loretta's hair--there lies
enshrined a mouth red as a pomegranate and as enticing, and if above it
there burn two eyes that would make a holy man clutch his rosary; and
if the flower sways on its stalk with the movement of a sapling
caressed by a summer breeze;--then the black tulip is precisely the
kind of flower that Loretta bloomed into.
And here the real trouble began,--just as it begins for every other
pretty Venetian, and here, too, must I place the second pin in my chart.
It all came through Francesco. The older sister had died with the first
child, and this crab catcher had begun to stretch out his claws for
Loretta. She and her mother still lived with Francesco's father, who
was a widower. The mother kept the house for all,--had done so for
Francesco and her daughter during their brief married life.
In her persecution Loretta would pour out her heart to Luigi, telling
how they bothered her,--her mother the most of all. She hated
Francesco,--hated his father,--hated everybody who wanted her to marry
the fisherman. (Luigi, poor fellow, had lost his only daughter when she
was five years of age, which accounted, I always thought, for his
interest in the girl.)
One morning she called to him and waited on the quay until he could
hail a passing barca and step from the gondola to its deck and so
ashore. Then the two disappeared through the gate of the garden.
"She is too pretty to go alone," he explained on his return. "Every day
she must pay a boy two soldi, Signore, to escort her to the lace
factory--the boy is sick today and so I went with her. But their
foolishness will stop after this;--these rats know Luigi."
From this day on Loretta had the Riva to herself.
II
Public-domain text, read in full here on John Shaqi.
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