In 1488 the two Bellini had for some time been employed in the Sala del
Gran Consiglio by the Council of Ten. Alvise, with his busy school, had
hoped, but hitherto in vain, to be invited to enter into competition
with them. At length he wrote the following letter:--
TO THE MOST SERENE THE PRINCE AND THE MOST EXCELLENT
SIGNORIA--I am Alvise of Murano, a faithful servant of your
Serenity and of this most illustrious State. I have long been
anxious to exercise my skill before your Sublimity and prove
that continued study and labour on my part have not been
useless. Therefore offer, as a humble subject, in honour and
praise of that celebrated city, to devote myself, without
return of payment or reward, to the duty of producing a canvas
in the Sala del Gran Consiio, according to the method at
present in use by the two brothers Bellinii, and I ask no more
for the said canvas than that I should be allowed the expenses
of the cloth and colours as well as the wages of the
journeymen, in the manner that has been granted to the said
Bellinii. When I have done I shall leave to your Serenity of
his goodness to give me in his wisdom the price which shall be
adjudged to be just, honest, and appropriate, in return for the
labour, which I shall be enabled, I trust, to continue to the
universal satisfaction of your Serenity and of all the
excellent Government, to the grace of which I most heartily
commend myself.
The "method at present in use" was presumably the oil-painting
established by Antonello, which was now being made use of to replace
the decorations in fresco and tempera which Guariento, Pisanello, and
Gentile da Fabriano had executed, and which were constantly decaying and
suffering from the sea air and the dampness of the climate. The Council
accepted Alvise's offer with little delay, and he was told to paint a
picture for a space hitherto occupied by one of Pisanello's, and was
given a salary of sixty ducats a year, something less than that drawn by
Giovanni Bellini. Unfortunately his work, scenes from the history of
Barbarossa, perished in the great fire of 1577.
Public-domain text, read in full here on John Shaqi.
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