The Venus of Milo: an archeological study of the goddess of womanhoodCarus, Paul
History
The Venus of Milo: an archeological study of the goddess of womanhood
Carus, Paul
Venus (Roman deity); Venus de Milo
The early centuries of the Christian era were troublesome times.
Lawlessness prevailed and a general decadence had set in, which was due
to the many civil wars in both Greece and Italy. The establishment of
the Roman empire checked the progress of degeneration but only in
external appearance. In reality a moral and social deterioration
continued to take an ever stronger hold upon the people. The old
religion broke down and the new faith was by no means so ideal in the
beginning as it is frequently represented by writers of ecclesiastical
history.
Our notions concerning the vicious character of
[Illustration: VENUS ON THE SWAN.
A kylix from Capua.]
ancient paganism are entirely wrong. Even the worship of Aphrodite and
of the Phenician Astarte was by no means degraded by that gross
sensualism of which the fathers of the church frequently accuse it.
Wherever we meet with original expressions of the pagan faith we find
deep reverence and childlike piety. In many respects the worship of
Istar in Babylonia and Astarte in Phenicia, of Isis in Egypt, of
Athene, Aphrodite and Hera in Greece, of the Roman Juno, and Venus, the
special protectress of the imperial family, was noble in all main
features, and did not differ greatly from the cult of the Virgin Mary
during the Middle Ages. We shall discuss this phase in a subsequent
chapter and here reproduce an ancient platter which is ascribed by
archeologists to the fourth century B. C., and shows a noble and serene
Venus who is fully draped and flying on a swan.
When Christianity spread over the Roman empire, the city of Athens was
the last stronghold of paganism, but even there the mass of the
population had become Christian. There was a time in the development of
Christianity when it was hostile not only to ancient pagan mythology but
also to pagan science and to pagan art. This was the age in which almost
all the statues of the Greek gods were either destroyed, or maltreated
and shattered so that not one has come down to us unmutilated.
Prof. F. C. Conybeare of University College, Oxford, describes
conditions of that age in his translation of the _Apology and Acts of
Apollonius and Other Monuments of Christianity_, as follows:
“The obvious way of scotching a foul demon was to smash his idols; and
we find that an enormous number of martyrs earned their crown in this
manner, especially in the third century, when their rapidly increasing
numbers rendered them bolder and more ready to make a display of their
intolerance.
[Illustration: HEAD OF THE VENUS OF MILO.
Profile view.]
Public-domain text, read in full here on John Shaqi.
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