The Venus of Milo: an archeological study of the goddess of womanhoodCarus, Paul
History
The Venus of Milo: an archeological study of the goddess of womanhood
Carus, Paul
Venus (Roman deity); Venus de Milo
“Verily, verily, I say unto you, Except a corn of wheat fall into the
ground and die, it abideth alone; but if it die, it bringeth forth much
fruit.”
The most important document still at our command relating to the
chthonian Venus is a fragmentary poem called “Istar’s Descent to Hell.”
The main subject is introduced in order to justify the possibility of
conjuring the dead from Sheol. Dr. Jeremias[17] explains the situation
as follows:
“A man grieves over the death of his sister. He consults a magus as to
how to release the spirit of the deceased from the prison of Hades. The
priest tells him the story of Istar’s descent to Sheol for the sake of
proving that the gates of Sheol are not unconquerable, and advises him
to address Istar, the conqueror of Hades, and Tammuz her consort, with
prayer and sacrifice, in order to gain their assistance. He is requested
to comply with funeral ceremonies at the coffin of the dead and to begin
his mourning with the assistance of the Uhats, the companions of Istar.
The spirit of the dead, hearing the lamentations of her brother,
requests him to rescue her from the horrors of Sheol through mourners’
music and sacrifices in the days of Tammuz, which is the time when the
people sing and weep, as told by Ezekiel viii. 14, and mourn for their
dead under the shape of Tammuz. The concluding lines of the poem, which
are summed up in these words, form the core of the whole, while the
legend of Istar’s descent to Sheol is only an introduction to it, and
constitutes a part of the conjuration of the dead. From other documents
of Babylonian literature we learn that on the names of Istar and Tammuz,
the hero and heroine of the legends of the descent to Sheol, depend the
hopes of a rescue from Sheol.” (_Loc cit._, pp. 7-8.)
It appears that people celebrated with special preference the days of
the god Tammuz, who represented the disappearance of vegetation and its
resurrection to life. The legend of Istar’s descent[18] to Sheol reads
in the translation based on Dr. Jeremias’s version as follows:
(OBVERSE OF THE TABLET.)
“To the land of no return, to the land [which thou knowest (?)],[19]
Istar, the daughter of the moon-god, meditated [to go].
The daughter of the moon-god meditated to go
To the house of darkness, to the seat of Irkalla,
To the house whose visitor never returns, 5.
On the path the descent of which never leads back,
To the house whose occupants are removed from the light,
To the place where dust is food, and dirt is meat,
Where they (the occupants) see no light, where they dwell in darkness,
Where they are clothed like birds, dressed with wings,[20]. 10.
Where upon gate and bolt dust is spread.
Public-domain text, read in full here on John Shaqi.
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