The Venus of Milo: an archeological study of the goddess of womanhoodCarus, Paul
History
The Venus of Milo: an archeological study of the goddess of womanhood
Carus, Paul
Venus (Roman deity); Venus de Milo
“‘In the beginning, when Twashtri[35] came to the creation of woman, he
found that he had exhausted his materials in the making of man, and that
no solid elements were left. In this dilemma, after profound meditation,
he did as follows: He took the rotundity of the moon, and the curves of
creepers, and the clinging of tendrils, and the trembling of grass, and
the slenderness of the reed, and the bloom of flowers, and the lightness
of leaves, and the tapering of the elephant’s trunk, and the glances of
deer, and the clustering of rows of bees,[36] and the joyous gaiety of
sunbeams, and the weeping of clouds, and the fickleness of the winds,
and the timidity of the hare, and the vanity of the peacock, and the
softness of the parrot’s bosom, and the hardness of adamant, and the
sweetness of honey, and the cruelty of the tiger, and the warm glow of
fire, and the coldness of snow, and the chattering of jays, and the
cooing of the _kókila_,[37] and the hypocrisy of the crane, and the
fidelity of the _chakrawáka_;[38] and compounding all these together, he
made woman and gave her to man. But after one week man came to him and
said: Lord, this creature that thou hast given me makes my life
miserable. She chatters incessantly, and teases me beyond endurance,
never leaving me alone: and she requires incessant attention, and takes
all my time up, and cries about nothing, and is always idle; and so I
have come to give her back again, as I cannot live with her. So Twashtri
said: Very well: and he took her back. Then after another week, man came
again to him, and said: Lord I find that my life is very lonely since I
gave back that creature. I remember how she used to dance and sing to
me, and look at me out of the corner of her eye, and play with me, and
cling to me; and her laughter was music, and she was beautiful to look
at, and soft to touch: so give her back to me again. So Twashtri said:
Very well: and gave her back again. Then after only three days, man came
to him again, and said: Lord, I know not how it is; but after all, I
have come to the conclusion that she is more of a trouble than a
pleasure to me: so please take her back again. But Twashtri said: Out on
you! Be off! I will have no more of this. You must manage how you can.
Then man said: But I cannot live with her. And Twashtri replied: Neither
could you live without her. And he turned his back on man and went on
with his work. Then man said: What is to be done? for I cannot live
either with or without her.’
“And Rasakósha ceased, and looked at the King. But the King remained
silent, gazing intently at the portrait of the Princess.”
Public-domain text, read in full here on John Shaqi.
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