Mystery and detective stories; New York (N.Y.) -- Fiction
"Yes. It was in between the salesman and Al. I sold two thousand five
hundred dollars' worth of gowns the first week."
"Sure enough?"
"'Girl,' old man Lichtig said to me the day I quit--'girl,' he said, 'if
ever you need this job again, comeback; it's waiting.'"
"Fine chance!"
"I've got the last twenty-five dollars I earned pinned away this minute
in the pocket of the little dark-blue suit I wore to work. I paid for
that suit with my first month's savings. A little dark-blue Norfolk,
Lichtig let me have out of stock for twenty-seven fifty."
"Were they giving them away with a pound of tea?"
"Honest, Kitty, it was neat. Little white shirt waist, tan shoes, and
one of those slick little five-dollar sailors, and every cent paid out
of my salary. I could step into that outfit to-morrow, look the part,
and land back that job or any other. I had a way with the trade, even
back at Finley's."
"Here, hold my jewel bag, honey; I'm going to die of cold-cream
suffocation if she don't soon come back and unsmear me."
"Opal beetle in it?"
"Yes, dearie; but it won't bite. It's muzzled with my diamond
horseshoe."
"Nothing doing, Kit. Put it under your pillow."
"You better watch out. There's a thirteenth letter in the alphabet; you
might accidentally use it some day. You're going to have a sweet time
to-night, you are!"
"Why?"
"The boys have engaged De Butera to come up to the rooms."
"You mean the fortune teller over at the Stag Hotel?"
"She's not a fortune teller, you poor nervous wreck. She's the
highest-priced spiritualist in the world. Moving tables--spooks--woof!"
"Faugh!" said Hester, rising from her couch and feeling with her little
bare feet for the daintiest of pink-silk mules. "I could make tables
move, too, at forty dollars an hour. Where's my attendant? I want an
alcohol rub."
They did hold séance that night in a fine spirit of lark, huddled
together in the _de-luxe_ sitting room of one of their suites, and
little half-hysterical shrieks and much promiscuous ribaldry under cover
of darkness.
Madame de Butera was of a distinctly fat and earthy blondness, with a
coarse-lace waist over pink, and short hands covered with turquoise
rings of many shapes and blues.
Tables moved. A dead sister of Wheeler's spoke in thin, high voice. Why
is it the dead are always so vocally thin and high?
Public-domain text, read in full here on John Shaqi.
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