Detective and mystery stories; England -- Fiction; Murder -- Investigation -- Fiction
“It’s all very well,” he said to Gordon, “the visibility’s good, and
we shan’t be interrupted by rain; but we can’t get the atmosphere; the
spiritual atmosphere, I mean, of yesterday’s fog and drizzle. We shall
see where a man fell down the embankment, but we shan’t feel the
impulse of that weeping depression which made him throw himself over,
or made somebody else save him the trouble. We haven’t got the
_mise-en-scène_ of a tragedy.”
They climbed together, Gordon and he; a zigzag path up the side of the
huge embankment, close to the club-house. When it reached the level of
the line, it kept close to the trim hedge that marked the boundary of
the railway’s property, and so lasted till the very beginning of the
viaduct, where it dived under the first arch at a precarious angle and
came up the other side. It was a matter of common knowledge to the
good-humoured porters of Paston Oatvile that the shortest way from
that station to the neighbouring station of Paston Whitchurch was
along the railway line itself—the shortest, because it avoided the
steep dip into the valley. Accordingly, it was the habit of residents,
if pressed for time, to follow this path up to the viaduct, then to
break over the sacred hedge and walk over the railway bridge till a
similar path was available on the Paston Whitchurch side. This local
habit Reeves and Gordon now naturally followed, for it gave them
access to the very spot from which, twenty-four hours before, a human
body had been hurled down on to the granite buttress and the osier-bed
that lay beneath.
“You see what I mean,” said Reeves. “We can’t, of course, tell what
pace the train was going; they vary so much in the fog. But if, for
the sake of argument, you take the force with which I throw this stone
as the impetus of the train, you see how the curve of the slope edges
it out to the right—there—and it falls either exactly on the buttress
or next door to it. That’s how I picture yesterday afternoon—the man
takes a good jump—or gets a good shove, and falls just over the edge;
there’s nothing for him to catch on to; and between his own motion and
the slope of the embankment he gets pitched on to the buttress. I
don’t know any place along this line where the drop comes so close.
The coroner will call attention to that—it’s extraordinary the way
coroners do draw attention to all the least important aspects of the
case. I read a newspaper account once of a man who was killed by a
motor-car just as he came out of church, and I’m blessed if the
coroner didn’t draw attention to the dangerous habit of standing about
outside churches.”
“I must say, the place seems made for something like this happening.
Do you see how the line curves away from this side?”
“Why shouldn’t it?”
Public-domain text, read in full here on John Shaqi.
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