The Vicar of Morwenstow: Being a Life of Robert Stephen Hawker, M.A.Baring-Gould, S. (Sabine)
General
The Vicar of Morwenstow: Being a Life of Robert Stephen Hawker, M.A.
Baring-Gould, S. (Sabine)
Hawker, Robert Stephen, 1803?-1875
In this hut he was wont to read. His meals were brought out there to
him. His intervals of work were spent in composing ballads on Cornish
legends, afterwards published at Oxford in his _Records of the Western
Shore_, 1832. They have all been reprinted in later editions of his
poems. One of these, his “Song of the Western Men,” was adapted to the
really ancient burden:—
And shall they scorn Tre, Pol and Pen,
And shall Trelawny die?
Here’s twenty thousand Cornish men
Will know the reason why!
These verses have so much of the antique flavour, that Sir Walter Scott,
in one of his prefaces to a later edition of the _Border Minstrelsy_,
refers to them as a “remarkable example of the lingering of the true
ballad spirit in a remote district”; and Mr. Hawker possessed a letter
from Lord Macaulay in which he admitted that, until undeceived by the
writer, he had always supposed the whole song to be of the time of the
Bishops’ trial.
At Ivy Cottage he had formed for himself a perch on the edge of the
cliff, where he could be alone with his books, his thoughts, and, as he
would say with solemnity, “with God.”
Perhaps few thought then how deep were the religious impressions in the
joyous heart, full of exuberant spirits, of the young Oxford student.
All people knew of him was, that he was remarkable for his beauty, for
his brightness of manner, his overflowing merriment, and love of playing
tricks. But there was a deep undercurrent of religious feeling setting
steadily in one direction, which was the main governing stream of his
life. Gradually this emerges into sight, and becomes recognised. Then it
was known to few except his wife and her sisters.
Of this period of his life, it is chiefly his many jests which have
lingered on in the recollection of his friends and relations.
One absurd hoax that he played on the superstitious people of Bude must
not be omitted.
At full moon in the July of 1825 or 1826, he swam or rowed out to a rock
at some little distance from the shore, plaited seaweed into a wig,
which he threw over his head, so that it hung in lank streamers half-way
down his back, enveloped his legs in an oilskin wrap, and, otherwise
naked, sat on the rock, flashing the moonbeams about from a hand-mirror,
and sang and screamed till attention was arrested. Some people passing
along the cliff heard and saw him, and ran into Bude, saying that a
mermaid with a fish’s tail was sitting on a rock, combing her hair, and
singing.
A number of people ran out on the rocks and along the beach, and
listened awestruck to the singing and disconsolate wailing of the
mermaid. Presently she dived off the rock, and disappeared.
Public-domain text, read in full here on John Shaqi.
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