Children of clergy -- Fiction; Christian fiction; Fathers and daughters -- Fiction; Scotland -- Fiction
"Then weren't you too hard upon him? Just think: he had been trying to
behave himself, and had got the better of the public-house for once, and
come home fancying you'd be so pleased to see him; and you"--
"He'd been drinking," interrupted Eliza. "Only he said as how it was but a
pot of beer he'd won in a wager from a mate of his."
"Well, if, after that beginning, he yet brought you home his money, he
ought to have had another kind of reception. To think of the wife of a poor
man making such a fuss about a silk dress! Why, Eliza, I never had a silk
dress in my life; and I don't think I ever shall."
"Laws, grannie! who'd ha' thought that now!"
"You see I have other uses for my money than buying things for show."
"That you do, grannie! But you see," she added, somewhat inconsequently,
"we ain't got no child, and Dick he take it ill of me, and don't care to
save his money; so he never takes me out nowheres, and I do be so tired o'
stopping indoors, every day and all day long, that it turns me sour, I do
believe. I didn't use to be cross-grained, miss. But, laws! I feels now as
if I'd let him knock me about ever so, if only he wouldn't say as how it
was nothing to him if I was dressed ever so fine."
"You run and get his supper."
Eliza went; and Marion, sitting down again to her instrument, improvised
for an hour. Next to her New Testament, this was her greatest comfort. She
sung and prayed both in one then, and nobody but God heard any thing but
the piano. Nor did it impede the flow of her best thoughts, that in a chair
beside her slumbered a weary man, the waves of whose evil passions she
had stilled, and the sting of whose disappointments she had soothed, with
the sweet airs and concords of her own spirit. Who could say what tender
influences might not be stealing over him, borne on the fair sounds? for
even the formless and the void was roused into life and joy by the wind
that roamed over the face of its deep. No humanity jarred with hers. In
the presence of the most degraded, she felt God there. A face, even if
besotted, _was_ a face, only in virtue of being in the image of God. That
a man was a man at all, must be because he was God's. And this man was
far indeed from being of the worst. With him beside her, she could pray
with most of the good of having the door of her closet shut, and some of
the good of the gathering together as well. Thus was love, as ever, the
assimilator of the foreign, the harmonizer of the unlike; the builder of
the temple in the desert, and of the chamber in the market-place.
As she sat and discoursed with herself, she perceived that the woman was as
certainly suffering from _ennui_ as any fine lady in Mayfair.
"Have you ever been to the National Gallery, Richard?" she asked, without
turning her head, the moment she heard him move.
"No, grannie," he answered with a yawn. "Don'a' most know what sort of a
place it be now. Waxwork, ain't it?"
Public-domain text, read in full here on John Shaqi.
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