Children of clergy -- Fiction; Christian fiction; Fathers and daughters -- Fiction; Scotland -- Fiction
"I do feel it. I wish I could get from the garden into my nest without
going up through the house and down the Jacob's ladder," I said. "It is so
hot! I never felt heat like it before."
He sat silent for a while, and then said,--
"I've been thinking I must get you into the country for a few weeks. It
would do you no end of good."
"I suppose the wind does blow somewhere," I returned. "But"--
"You don't want to leave me?" he said.
"I don't. And I know with that ugly portrait on hand you can't go with me."
"He happened to be painting the portrait of a plain red-faced lady, in a
delicate lace cap,--a very unfit subject for art,--much needing to be made
over again first, it seemed to me. Only there she was, with a right to have
her portrait painted if she wished it; and there was Percivale, with time
on his hands, and room in his pockets, and the faith that whatever God had
thought worth making could not be unworthy of representation. Hence he had
willingly undertaken a likeness of her, to be finished within a certain
time, and was now working at it as conscientiously as if it had been the
portrait of a lovely young duchess or peasant-girl. I was only afraid he
would make it too like to please the lady herself. His time was now getting
short, and he could not leave home before fulfilling his engagement.
"But," he returned, "why shouldn't you go to the Hall for a week or two
without me? I will take you down, and come and fetch you."
"I'm so stupid you want to get rid of me!" I said.
I did not in the least believe it, and yet was on the edge of crying, which
is not a habit with me.
"You know better than that, my Wynnie," he answered gravely. "You want your
mother to comfort you. And there must be some air in the country. So tell
Sarah to put up your things, and I'll take you down to-morrow morning. When
I get this portrait done, I will come and stay a few days, if they will
have me, and then take you home."
The thought of seeing my mother and my father, and the old place, came
over me with a rush. I felt all at once as if I had been absent for years
instead of weeks. I cried in earnest now,--with delight though,--and there
is no shame in that. So it was all arranged; and next afternoon I was lying
on a couch in the yellow drawing-room, with my mother seated beside me,
and Connie in an easy-chair by the open window, through which came every
now and then such a sweet wave of air as bathed me with hope, and seemed
to wash all the noises, even the loose-jawed man's hateful howl, from my
brain.
Yet, glad as I was to be once more at home, I felt, when Percivale
left me the next morning to return by a third-class train to his ugly
portrait,--for the lady was to sit to him that same afternoon,--that the
idea of home was already leaving Oldcastle Hall, and flitting back to the
suburban cottage haunted by the bawling voice of the costermonger.
Public-domain text, read in full here on John Shaqi.
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