After the councilor had died—whether by strangulation or naturally is of no consequence—the house had been sold, then abandoned, and lastly isolated from the other houses of the street. Towards the middle of the reign of Louis XIII. only, an Italian named Cropoli, escaped from the kitchens of the Marechal d’Ancre, came and took possession of this house. There he established a little hostelry, in which was fabricated a macaroni so delicious that people came from miles round to fetch it or eat it. So famous had the house become for it, that when Mary de Medici was a prisoner, as we know, in the castle of Blois, she once sent for some. It was precisely on the day she had escaped by the famous window. The dish of macaroni was left upon the table, only just tasted by the royal mouth. This double favor, of a strangulation and a macaroni, conferred upon the triangular house, gave poor Cropoli a fancy to grace his hostelry with a pompous title. But his quality of an Italian was no recommendation in these times, and his small, well-concealed fortune forbade attracting too much attention. When he found himself about to die, which happened in 1643, just after the death of Louis XIII., he called to him his son, a young cook of great promise, and with tears in his eyes, he recommended him to preserve carefully the secret of the macaroni, to Frenchify his name, and at length, when the political horizon should be cleared from the clouds which obscured it—this was practiced then as in our day, to order of the nearest smith a handsome sign, upon which a famous painter, whom he named, should design two queens’ portraits, with these words as a legend: “TO THE MEDICI.” The worthy Cropoli, after these recommendations, had only sufficient time to point out to his young successor a chimney, under the slab of which he had hidden a thousand ten-franc pieces, and then expired. Cropoli the younger, like a man of good heart, supported the loss with resignation, and the gain without insolence. He began by accustoming the public to sound the final i of his name so little, that by the aid of general complaisance, he was soon called nothing but M. Cropole, which is quite a French name. He then married, having had in his eye a little French girl, from whose parents he extorted a reasonable dowry by showing them what there was beneath the slab of the chimney. These two points accomplished, he went in search of the painter who was to paint the sign; and he was soon found. He was an old Italian, a rival of the Raphaels and the Caracci, but an unfortunate rival. He said he was of the Venetian school, doubtless from his fondness for color. His works, of which he had never sold one, attracted the eye at a distance of a hundred paces; but they so formidably displeased the citizens, that he had finished by painting no more.