The Viking Age. Volume 1 (of 2): The early history, manners, and customs of the ancestors of the English-speaking nationsDu Chaillu, Paul B. (Paul Belloni)
History
The Viking Age. Volume 1 (of 2): The early history, manners, and customs of the ancestors of the English-speaking nations
Fig. 313.—Wooden shield with later runes.—Norway.
]
[Illustration:
Fig. 314.—Runic stone in ship-form grave, Upland. In the grave was
found a helmet, apparently made of iron-plate, with ornaments of
bronze in imitation of eyebrows; also a helmet-crest. On the helmet
were numerous representations of horsemen with spears and carrying
shields on their left arms, in front of the horses a snake, and in
front of and behind each horseman a bird flying.
]
[Illustration:
Fig. 315.—Baptismal stone font.—Langhem Church, Sweden.
]
[Illustration:
Fig. 316.—Baptismal stone with runes and a representation of Gunnar in
the snake-pit, used as font in a church, Bohuslän. No Christian
symbol is marked upon it.
]
[Illustration:
Fig. 317.
]
[Illustration:
Fig. 318.
]
[Illustration:
Fig. 319.
]
[Illustration:
Fig. 320.
Baptismal fonts with runic inscriptions, some apparently heathen.
]
Two rock-tracings found at Ramsund and Gœk, on the southern shores of
Lake Mälar, province of Södermanland, Sweden, show how deeply preserved
in the memory of the people all over the North is the history of the
Volsungar as told in the earlier Edda, and the Saga of that name. To the
late Professor Carl Säve we are indebted for the discovery of these two
mementoes of the past. I here give the representation of the finer of
the two, which is engraved on granite.
[Illustration:
Fig. 321.—Tracing of later runes illustrating the Eddaic songs and
Volsunga saga. Length, 16 feet; width, from 4 to 5 feet.—Ramsund
Rock, Södermanland, Sweden.
]
The scene is surrounded below by sculpture, and covered with runes above
are two serpents twisted together, one without runes. Below the large
snake Sigurd on his knee pierces with his sword the body of the reptile.
In the midst between the snake the horse Grani is standing, made fast to
a tree where two birds are seen. On the left Sigurd, seated, roasts on
the fire, at the end of a stick, the heart of Fafnir. Round the fire are
deposited pincers, an anvil, bellows, and hammer; the head of the smith
(blacksmith) Regin is seen separated from the trunk. Then above is
sculptured an animal, which looks like a fox—no doubt the otter—for the
murder of which was given, as ransom, the rich treasure so fatal to
Fafnir and to all those who possessed it after him. The runic
inscription has not the slightest connection with the scene, not even
with Sigurd Fafnisbani. As Mr. Säve remarks, Sigurd or Holmger, and
perhaps both, believed that they were descended from Sigurd Fafnisbani,
the famous hero of the Volsunga.
The tracing on the stone of Gœk, not far from the city of Strengenæs, is
about half the length of that on the Ramsund stone, but of the same
width, and is not as fine. The subject is treated in a somewhat similar
manner: the hammer is on the ground, while on the Ramsund stone it is in
the man’s hand. Above the horse Grani is a Christian cross.
Public-domain text, read in full here on John Shaqi.
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