Brothers -- Fiction; Peasants -- Russia -- Fiction; Russia -- Fiction; Russia -- History -- Revolution, 1905-1907 -- Fiction
But there was nothing awful about the spot. He strolled on, even
noticing with considerable satisfaction that the cemetery was growing;
that many new and excellent mausoleums had made their appearance among
those ancient stones in the shapes of coffins on legs, heavy cast-iron
plates, and huge rough crosses, already in process of decay, which
now filled it. “Died in the year 1819, on November 7, at five o’clock
in the morning”--it was painful to read such inscriptions: death was
repulsive at dawn of a stormy autumnal day, in that old county town!
But alongside it a marble angel gleamed white through the trees, as
he stood there with eyes fixed upon the blue sky; and beneath it, on
the mirror-smooth black granite, were cut in gold letters the words:
“Blessed are the dead who die in the Lord.” On the iron monument of
some Collegiate Assessor, tinted in rainbow hues by foul weather and
the hand of time, one could decipher the verses:
“His Tsar he honourably served,
His neighbour cordially loved,
And was revered of men.”
And these verses struck Tikhon Ilitch as hypocritical. But in this
place even a lie was touching. For--where is truth? Yonder in the
bushes lies a human jawbone, neglected, looking as if it were made of
dirty wax--all that remains of a man. But is it all? Flowers, ribbons,
crosses, coffins, and bones in the earth decay--all is death and
corruption. But Tikhon Ilitch walked on further and read: “Thus it is
in the resurrection of the dead; it is sown in corruption, it is raised
in incorruption.”--“Our darling son, thy memory will never die in our
hearts to all eternity!”
His brow furrowed even more severely; he removed his cap and made the
sign of the cross. He was pale, and still weak from his illness. He
recalled his childhood--his youth--Kuzma. He walked to the far corner
of the cemetery where all his relatives were buried--father, mother,
the sister who had died when a little girl. The inscriptions spoke
touchingly and peacefully of rest, repose; of tenderness towards
fathers, mothers, husbands and wives; of a love which, apparently,
does not exist and never will exist on this earth; of that devotion
to one another and submission to God, that fervent faith in a future
life, that meeting once more in another and blessed land, in which one
believes only here; and of that equality which death alone confers--of
those moments when folk bestow the last kiss upon the lips of the dead
beggar as on a brother’s, compare him with kings and prelates, say over
him the loftiest and most solemn words.
And there in a distant corner of the enclosure, among bushes of elder
which dozed in the parching heat--there where formerly had been graves,
but now were only mounds and hollows, overgrown with grass and white
flowers--Tikhon Ilitch saw a fresh little grave, the grave of a child,
and on the cross a couplet:
“Softly, leaves: do not rustle,
Do not wake my Kostya dear.”
Public-domain text, read in full here on John Shaqi.
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