While Madame Graslin walked on with her eyes fastened on the long, magnificent green pastures, her most cherished creation, the priest and the mayor did not take their eyes from the groups below, whose expression it was impossible to misinterpret; pain, sadness, and regret, mingled with hope, were plainly on all those faces. No one in Montegnac or its neighborhood was ignorant that Monsieur Roubaud had gone to Paris to bring the best physician science afforded, or that the benefactress of the whole district was in the last stages of a fatal illness. In all the markets through a circumference of thirty miles the peasants asked those of Montegnac,-- “How is your good woman now?” The great vision of death hovered over the land, and dominated that rural picture. Afar, in the fields, more than one reaper sharpening his scythe, more than one young girl, her arms resting on her fork, more than one farmer stacking his hay, seeing Madame Graslin, stood mute and thoughtful, examining that noble woman, the blessing of the Correze, seeking some favorable sign or merely looking to admire her, impelled by a feeling that arrested their work. “She is out walking; therefore she must be better.” These simple words were on every lip. Madame Graslin’s mother, seated on the iron bench which Veronique had formerly placed at the end of the terrace, studied every movement of her daughter; she watched her step in walking, and a few tears rolled from her eyes. Aware of the secret efforts of that superhuman courage, she knew that Veronique at that moment was suffering the tortures of a horrible agony, and only maintained herself erect by the exercise of her heroic will. The tears--they seemed almost red--which forced their way from those aged eyes, and furrowed that wrinkled face, the parchment of which seemed incapable of softening under any emotion, excited those of young Graslin, whom Monsieur Ruffin had between his knees. “What is the matter, my boy?” said the tutor, anxiously. “My grandmother is crying,” he answered. Monsieur Ruffin, whose eyes were on Madame Graslin as she came toward them, now looked at Madame Sauviat, and was powerfully struck by the aspect of that old head, like that of a Roman matron, petrified with grief and moistened with tears. “Madame, why did you not prevent her from coming out?” said the tutor to the old mother, august and sacred in her silent grief. As Veronique advanced majestically with her naturally fine and graceful step, Madame Sauviat, driven by despair at the thought of surviving her daughter, allowed the secret of many things that awakened curiosity to escape her. “How can she walk like that,” she cried, “wearing a horrible horsehair shirt, which pricks into her skin perpetually?” The words horrified the young man, who was not insensible to the exquisite grace of Veronique’s movements; he shuddered as he thought of the constant and terrific struggle of the soul to maintain its empire thus over the body.