Clergy -- Fiction; France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
“She has worn it thirteen years,--ever since she ceased to nurse the
boy,” said the old woman. “She has done miracles here, but if her whole
life were known they ought to canonize her. Since she came to Montegnac
no one has ever seen her eat, and do you know why? Aline serves her
three times a day a piece of dry bread, and vegetables boiled in water,
without salt, on a common plate of red earth like those they feed the
dogs on. Yes, that’s how the woman lives who has given new life to
this whole canton. She kneels to say her prayers on the edge of that
hair-shirt. She says she could not have that smiling air you know she
always has unless she practised these austerities. I tell you this,”
added the old woman, sinking her voice, “so that you may repeat it
to the doctor that Monsieur Roubaud has gone to fetch. If they could
prevent my daughter from continuing these penances, perhaps they might
still save her, though death has laid its hand upon her head. See for
yourself! Ah! I must be strong indeed to have borne so many things these
fifteen years.”
The old woman took her grandson’s hand and passed it over her forehead
and cheeks as if the child’s touch shed a healing balm there; then she
kissed it with an affection the secret of which belongs to grandmothers
as much as it belongs to mothers.
Veronique was now only a few feet from the bench, in company with
Clousier, the rector, and Gerard. Illuminated by the glow of the setting
sun, she shone with a dreadful beauty. Her yellow forehead, furrowed
with long wrinkles massed one above the other like layers of clouds,
revealed a fixed thought in the midst of inward troubles. Her face,
devoid of all color, entirely white with the dead, greenish whiteness of
plants without light, was thin, though not withered, and bore the signs
of terrible physical sufferings produced by mental anguish. She
fought her soul with her body, and _vice versa_. She was so completely
destroyed that she no more resembled herself than an old woman resembles
her portrait as a girl. The ardent expression of her eyes declared the
despotic empire exercised by a devout will over a body reduced to what
religion requires it to be. In this woman the soul dragged the flesh
as the Achilles of profane story dragged Hector; for fifteen years
she dragged it victoriously along the stony paths of life around the
celestial Jerusalem she hoped to enter, not by a vile deception, but
with acclamation. No solitary that ever lived in the dry and arid
deserts of Africa was ever more master of his senses than was Veronique
in her magnificent chateau, among the soft, voluptuous scenery of that
opulent land, beneath the protecting mantle of that rich forest, whence
science, the heir of Moses’ wand, had called forth plenty, prosperity,
and happiness for a whole region. She contemplated the results of
twelve years’ patience, a work which might have made the fame of many a
superior man, with a gentle modesty such as Pontorno has painted in
Public-domain text, read in full here on John Shaqi.
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