Clergy -- Fiction; France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
The episcopal palace at Limoges stands on a hill which slopes to the
banks of the Vienne; and its gardens, supported by strong walls topped
with a balustrade, descend to the river by terrace after terrace,
according to the natural lay of the land. The rise of this hill is such
that the suburb of Saint-Etienne on the opposite bank seems to lie at
the foot of the lower terrace. From there, according to the direction in
which a person walks, the Vienne can be seen either in a long stretch
or directly across it, in the midst of a fertile panorama. On the west,
after the river leaves the embankment of the episcopal gardens, it turns
toward the town in a graceful curve which winds around the suburb
of Saint-Martial. At a short distance beyond that suburb is a pretty
country house called Le Cluseau, the walls of which can be seen from
the lower terrace of the bishop’s palace, appearing, by an effect of
distance, to blend with the steeples of the suburb. Opposite to Le
Cluseau is the sloping island, covered with poplar and other trees,
which Veronique in her girlish youth had named the Ile de France. To the
east the distance is closed by an ampitheatre of hills.
The magic charm of the site and the rich simplicity of the building
make this episcopal palace one of the most interesting objects in a town
where the other edifices do not shine, either through choice of material
or architecture.
Long familiarized with the aspects which commend these gardens to all
lovers of the picturesque, the Abbe Dutheil, who had induced the Abbe de
Grancour to accompany him, descended from terrace to terrace, paying no
attention to the ruddy colors, the orange tones, the violet tints, which
the setting sun was casting on the old walls and balustrades of the
gardens, on the river beneath them, and, in the distance, on the houses
of the town. He was in search of the bishop, who was sitting on the
lower terrace under a grape-vine arbor, where he often came to take his
dessert and enjoy the charm of a tranquil evening. The poplars on the
island seemed at this moment to divide the waters with the lengthening
shadow of their yellowing heads, to which the sun was lending the
appearance of a golden foliage. The setting rays, diversely reflected on
masses of different greens, produced a magnificent harmony of melancholy
tones. At the farther end of the valley a sheet of sparkling water
ruffled by the breeze brought out the brown stretch of roofs in the
suburb of Saint-Etienne. The steeples and roofs of Saint-Martial, bathed
in light, showed through the tracery of the grape-vine arbor. The soft
murmur of the provincial town, half hidden by the bend of the river, the
sweetness of the balmy air, all contributed to plunge the prelate into
the condition of quietude prescribed by medical writers on digestion;
seemingly his eyes were resting mechanically on the right bank of the
river, just where the long shadows of the island poplars touched it on
Public-domain text, read in full here on John Shaqi.
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