Short stories; United States -- Social life and customs -- 19th century -- Fiction
The joy that comes of freedom, and the freedom that comes of joy, unbent
the old man's stiffened joints. He renewed his youth at every mile. He
ran like a lapwing. When his feet first struck the sandy soil of the
plains, he broke into old song of the “bloom-in' gy-ar-ding” and the
“jolly swain,” and in the marvelous mental and spiritual exhilaration
born of the supreme moment he almost grasped that impossible last note.
His heard could hardly hold its burden of rapture when he caught the
well-known gleam of the white birches. He turned into the familiar
path, boy's blood thumping in old man's veins. The past week had been
a dreadful dream. A few steps more and he would be within sight, within
touch of home,--home at last! No--what was wrong? He must have gone
beyond it, in his reckless haste! Strange that he could have forgotten
the beloved spot! Can lover mistake the way to sweetheart's window? Can
child lose the path to mother's knee?
He turned,--ran hither and thither, like one distraught. A nameless
dread flitted through his dull mind, chilling his warm blood, paralyzing
the activity of the moment before. At last, with a sob like that of a
frightened child who flies from some imagined evil lurking in darkness,
he darted back to the white birches and started anew. This time
he trusted to blind instinct; his feet knew the path, and, left to
themselves, they took him through the tangle of dry bushes straight to
his--
It had vanished!
Nothing but ashes remained to mark the spot,--nothing but ashes! And
these, ere many days, the autumn winds would scatter, and the leafless
branches on which they fell would shake them off lightly, never dreaming
that they hid the soul of a home. Nothing but ashes!
Poor Tom o' the blueb'ry plains!
THE NOONING TREE.
The giant elm stood in the centre of the squire's fair green meadows,
and was known to all the country round about as the “Bean ellum.” The
other trees had seemingly retired to a respectful distance, as if they
were not worthy of closer intimacy; and so it stood alone, king of the
meadow, monarch of the village.
It shot from the ground for a space, straight, strong, and superb,
and then bust into nine splendid branches, each a tree in itself, all
growing symmetrically from the parent trunk, and casting a grateful
shadow under which all the inhabitants of the tiny village might have
gathered.
It was not alone its size, its beauty, its symmetry, its density of
foliage, that made it the glory of the neighborhood, but the low grown
of its branches and the extra-ordinary breadth of its shade. Passers-by
from the adjacent towns were wont to hitch their teams by the wayside,
crawl through the stump fence and walk across the fields, for a nearer
view of its magnificence. One man, indeed, was known to drive by the
tree every day during the summer, and lift his hat to it, respectfully,
each time he passed; but he was a poet and his intellect was not greatly
esteemed in the village.
Public-domain text, read in full here on John Shaqi.
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