Short stories; United States -- Social life and customs -- 19th century -- Fiction
Seventy years had passed, and on each birthday, from the time when she
was only “Raish Dunnell's little Lou,” to the years when she was Lucinda
Bascom, wife and mother, she had wandered down by the river side, and
gazed, a little superstitiously perhaps, on the log that had been marked
with an “L” on the morning she was born. It had stood the wear and tear
of the elements bravely, but now it was beginning, like Lucinda, to show
its age. Its back was bent, like hers; its face was seamed and wrinkled,
like her own; and the village lovers who looked at it from the opposite
bank wondered if, after all, it would hold out as long as “old Mis'
Bascom.”
She held out bravely, old Mrs. Bascom, though she was “all skin, bones,
and tongue,” as the neighbors said; for nobody needed to go into the
Bascoms' to brighten up aunt Lucinda a bit, or take her the news; one
went in to get a bit of brightness, and to hear the news.
“I should get lonesome, I s'pose,” she was wont to say, “if it wa'n't
for the way this house is set, and this chair, and this winder, 'n' all.
Men folks used to build some o' the houses up in a lane, or turn 'em
back or side to the road, so the women folks couldn't see anythin' to
keep their minds off their churnin' or dish-washin'; but Aaron Dunnell
hed somethin' else to think about, 'n' that was himself, first, last,
and all the time. His store was down to bottom of the hill, 'n' when he
come up to his meals, he used to set where he could see the door; 'n'
if any cust'mer come, he could call to 'em to wait a spell till he got
through eatin'. Land! I can hear him now, yellin' to 'em, with his mouth
full of victuals! They hed to wait till he got good 'n' ready, too.
There wa'n't so much comp'tition in business then as there is now, or
he'd 'a' hed to give up eatin' or hire a clerk. ... I've always felt to
be thankful that the house was on this rise o' ground. The teams hev to
slow up on 'count o' the hill, 'n' it gives me consid'ble chance to see
folks 'n' what they've got in the back of the wagon, 'n' one thing 'n'
other. ... The neighbors is continually comin' in here to talk about
things that's goin' on in the village. I like to hear 'em, but land!
they can't tell me nothing'! They often say, 'For massy sakes, Lucindy
Bascom, how d' you know that?' 'Why,' says I to them, 'I don't ask no
questions, 'n' folks don't tell me no lies; I just set in my winder,
'n' put two 'n' two together,--that's all I do.' I ain't never ben in a
playhouse, but I don't suppose the play-actors git down off the platform
on t' the main floor to explain to the folks what they've ben doin',
do they? I expect, if folks can't understand their draymas when the're
actin' of 'em out, they have to go ignorant, don't they? Well, what do I
want with explainin', when everythin' is acted out right in the road?”
Public-domain text, read in full here on John Shaqi.
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