The Vintage: A Romance of the Greek War of IndependenceBenson, E. F. (Edward Frederic)
History
The Vintage: A Romance of the Greek War of Independence
Benson, E. F. (Edward Frederic)
Greece -- History -- War of Independence, 1821-1829 -- Fiction
Nicholas was punctual to his promise to Mitsos, and soon after sunset
they went off together to where the boat was lying. Mitsos carried a
couple of big pewter ladles, a bag full of resin, a wicker creel for
the fish, and two spears, while Nicholas walked on a little ahead with
the net wound round his shoulders. They were to begin the evening's
work with the spears, and later when the moon was up to sail across the
far side of the bay, where they would use the sweep-net in the shallow
water, where the bottom was sandy and shelving. But the nearer shore of
the bay was rocky, descending rapidly into deep water, and was no place
for netting. Nicholas, however, got into the boat in order to arrange
the net and dispose the lead in what he considered a more satisfactory
manner, leaving the boy to do the spearing alone.
Mitsos took off his linen trousers, fastening his shirt round his waist
with a leather belt. He then slung the creel and the bag round his
neck, and putting a half handful of resin into the ladle, set light to
it, took the spear in his right hand, and rolling up his sleeves to the
shoulder, stepped into the sea. He held the flare close to the surface,
so that its light showed clearly on the bottom of the shallow water, a
luminous lure for the fish. The spear he held ready to bring down if he
saw anything.
It was a scene which Rembrandt would have painted with the hand of
love. The moon was not yet risen, but in the clear starlight the
edges of the serrated hills were sharply etched against the sky, and
the water of the bay, just curdled by the wind, lay vast and sombre
across to the farther shore. The light from the resin-flare vaguely
showed the lines of the boat in which Nicholas was preparing the net,
but all was dim except Mitsos' figure and a few feet of glittering,
flame-scribbled water round him. The highest light was cast on his
brown down-bent face and on his left arm bared to the shoulder, which
stood out as clear-cut as a cameo against the darkness behind, and as
he moved, the water, which lapped about his knees, was stirred into
fire-crested ripples. The sea was slightly phosphorescent, and his
trail was palely luminous like the Milky Way. Now and again, with a
sudden splendid motion, down went the poised spear with a splashing
cluck into the sea, and he would draw it up again, sometimes with a
red mullet, sometimes with a thin brill flapping and struggling on the
point. More rarely he missed his aim, and looked up at Nicholas smiling
and showing his white teeth.
Public-domain text, read in full here on John Shaqi.
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