The Violin and Old Violin Makers: Being a Historical & Biographical Account of the Violin, with Facsimiles of Labels of the Old MakersClarke, A. Mason
History
The Violin and Old Violin Makers: Being a Historical & Biographical Account of the Violin, with Facsimiles of Labels of the Old Makers
Clarke, A. Mason
Violin -- History; Violin makers
A Copy of the Gasparo da Salo Violin used by Ole Bull, the Famous
Scandinavian Violinist, made by Mr. Gillingham, of Chiswick. (_The front
view of this violin will be found on the cover._)
THE VIOLIN
AND
OLD VIOLIN MAKERS
BEING A
HISTORICAL & BIOGRAPHICAL
ACCOUNT OF THE VIOLIN
With Facsimiles of Labels
of the Old Makers
BY
A. MASON CLARKE
[Author of “Biographical Dictionary of Fiddlers.”]
London:
WILLIAM REEVES, 83 CHARING CROSS ROAD, W.C.
_Publisher of Books on Music._
_Printed by The New Temple Press, Norbury Crescent, London, S.W.16._
A Copy of the Gasparo da Salo Violin used by Ole Bull, the famous
Scandinavian violinist. Made by Mr. Gillingham, of Chiswick.
PREFACE.
This little work is the outcome of some little thought, born of
hesitation. To be clear, I should mention that some years ago I
completed a somewhat exhaustive work on the violin, the first portion of
which reached the stereotype stage, but unfortunately owing to a fire
the plates were destroyed. Other business pressing, the work was laid
aside. In the meantime other books on the violin have been published, a
fact which might be taken as rendering any further work on the subject
superfluous. However, it has been suggested to me by some musical
friends that if I could produce a popular work which could be issued at
a low price it would be well received. Buoyed up with this hope, I set
to work with the object of presenting in a concise form such information
as I have thought necessary or at least of interest to every one who
elects to take up the violin, either as an object of recreation or
serious study. Time alone will prove whether or not the appearance of
this addition to the literature of the violin is justified.
In order to facilitate my labours I have consulted the leading British
and foreign authorities on the violin and kindred instruments. I have
also during many years devoted much time to the inspection and study of
genuine old instruments.
A. M. C.
Forest Hill, London.
CONTENTS.
PART I.
HISTORICAL.
PAGES
I.—Introductory and Early English 1-29
II.—Italy 30-35
III.—France 36-40
IV.—Germany 41-44
Public-domain text, read in full here on John Shaqi.
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