His widow was left with a family of eight daughters, she dying in poverty in 1689, which chronological fact disposes of the fiction, so widely circulated, that in consequence of the great grief he experienced upon the death of his wife he withdrew from the world, and became an inmate of a Benedictine monastery, and that he made within its walls the famous instruments known as "Elector Stainers," which he presented to the twelve Electors. Whether he made them to order, in the usual manner, whether he presented them, or where he made them, matters little; they are works of great merit, and need no mysterious surroundings to call attention to them. The followers of Stainer have been numerous, and are mentioned in the lists of German and English makers. Probably no maker is more mistaken than Stainer: the array of German instruments called by his name is at least ten times greater than the number he actually made. Nearly every high-built tub of a Violin sails under his colours. Instruments without any resemblance whatever to those of Stainer are accepted by the multitude as original Jacob Stainers. Much of this has arisen from the variety of style and work said to have been shown in the instruments of this maker. That this marked variety exists I do not believe. The pattern varies, but the same hand is traceable throughout. STAINER, Markus, Kufstein, Tyrol, about 1659, described as a brother of Jacob. He styled himself on his label "Citizen and Violin-maker." Citizenship carried with it special privileges, and this maker apparently recognised the honour by having "Burger" after his name. STAINER, Andreas, Absam, about 1660. Mention is made of a maker of Baryton Viols of this name. STAUGTINGER, Mathias W., Wurzburg, about 1671. Maker of Viols and Lutes. STEININGER, Jacob, Frankfort, about 1775. Son-in-law of the Violin-maker Dopfer, and uncle of Nicolas Diehl, to whom he gave instructions in Violin-making. STEININGER, Franz, St. Petersburg, son of Jacob Steininger. STOSS, ----. Makers of this name worked at Prague, Vienna, and Fussen, about the end of the 18th century. STOSS, Martin, Vienna, about 1824. Flat model, good workmanship. Stradivari pattern, indifferent varnish. STRAUBE, ----, Berlin, about 1775. STRAUSS, Joseph, Neustadt, about 1750. TIEFFENBRUCKER. There appear to have been several Lute-makers of this name working in the 16th century in Germany and elsewhere. No genuine Violins are known. _See_ DUIFFOPRUGCAR.