FENDT, William, London, born 1833, died 1852. Son of Bernard Simon Fendt. Was an excellent workman, and assisted his father in the manufacture of several of his Double-Basses. FERGUSON, Donald, Huntley, Aberdeenshire. FIRTH, G., Leeds, 1836. FORSTER, William, born in 1713, died 1801. William Forster, Violin Maker, in Brampton. The family of the Forsters have played no unimportant part in the history of Violins. The attention they commanded as makers, both from artists and amateurs, has probably never been equalled in England. Their instruments claimed attention from the moment they left their makers' hands, their construction being excellent in every way. William Forster was a native of Brampton, in Cumberland, where he followed the trade of a spinning-wheel maker, occupying his spare time in the making and repairing of Violins and musical instruments generally. His labours, as far as they relate to Violin-making, appear to have been of a very unpretending nature, but they served to impart a taste for the art to his son William, who was the best maker of the family. FORSTER, William, London, born 1739, died 1807. William Forster, Violin Maker, in St. Martin's Lane, London, 17-- Son of William Forster mentioned above. Worked with his father at Brampton in Cumberland, making spinning-wheels and Violins--two singularly diverse occupations. It was, however, to the latter industry he gave the most attention, and he soon became the great maker of the neighbourhood. He afterwards added another string to his bow, viz., that of playing country-dances at the village festivities. Thus armed with three occupations, he must have been well employed. He seems to have early discovered that his abilities required a larger field in which to show themselves to advantage, and accordingly took the usual course in such circumstances--came to the Metropolis, in which he settled about the year 1759. He soon obtained employment at a musical instrument seller's on Tower Hill, and gave up, then and for ever, the making of spinning-wheels, while by throwing all his soul into the manufacture of Violins he soon gave his master's patrons the highest satisfaction. He ultimately commenced business on his own behalf in the neighbourhood of Duke's Court, St. Martin's Lane, where his abilities attracted considerable attention, and secured him the patronage of the _dilettanti_ in the musical world. For several years he followed the path trodden by the makers of the period, and copied Stainer. His instruments of this date are very excellent both in workmanship and material, but are not equal to those of the Amati pattern, which he commenced to make about the year 1770. These are beautiful works, and have a great charm from their being so varied. Some are copies of Antonio and Girolamo Amati, variously modelled; others are copies of Niccolo Amati. The wood and varnish also vary very much, but the high standard of goodness is well maintained