The Violin: Its Famous Makers and Their Imitators — John Shaqi
The Violin: Its Famous Makers and Their ImitatorsHart, George
History
The Violin: Its Famous Makers and Their Imitators
Hart, George
Violin -- History; Violin makers -- Biography
From Brescia came the masters who established the School of Cremona.
The Amatis took the lead, their founder being Andrea Amati, after whom
each one of the clan appears to have gained a march on his
predecessor, until the grand masters of their art, Antonio Stradivari
and Giuseppe Guarneri del Gesu, advanced far beyond the reach of their
fellow-makers or followers. The pupils of the Amati, Stradivari, and
Guarneri settled in Milan, Florence, and other cities previously
mentioned as centres of Violin-making, and thus formed the distinct
character or School belonging to each city. A close study of the
various Schools shows that there is much in common among them. A
visible individuality is found throughout the works of the Italian
makers, which is not to be met with in anything approaching the same
degree in the similar productions of other nations. Among the
Italians, each artist appears to have at first implicitly obeyed the
teaching of his master, afterwards, as his knowledge increased,
striking out a path for himself. To such important acts of
self-reliance may be traced the absolute perfection to which the
Italians at last attained. Not content with the production of
instruments capable of producing the best tone, they strove to give
them the highest finish, and were rewarded, possibly beyond their
expectation. The individuality noticed as belonging in a high degree
to Italian work is in many instances very remarkable. How
characteristic the scroll and the sound-hole of each several maker!
The work of master and pupil differs here in about the same degree as
the handwriting of father and son, and often more. Although Stradivari
was a pupil of Niccolo Amati, yet how marked is the difference between
the scrolls and sound-holes of these two makers; Carlo Bergonzi worked
with Stradivari, yet the productions of these two are more easily
known apart. A similarly well-defined originality is found, in a more
or less degree, to pervade the entire series of Italian Violins, and
forms a feature of much interest to the connoisseur.
Public-domain text, read in full here on John Shaqi.
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