citizen--STRADIVARI, FRANCESCO and OMOBONO, sons and successors of Antonio; character of their work; correspondence between his son and grandson, Paolo and Antonio, and the agents of Count Cozio di Salabue, relative to the purchase of the models, tools, and drawings of the Maestro--Sursano, Spirito . . . . . . . . . . . . . . . . . . 168-219 Tanegia, Carlo Antonio--Taningard, Giorgio--TECCHLER, DAVID; his instruments of German and Italian styles, finely formed, and of good quality; his Violoncellos of large size--Testore, Carlo Giuseppe--Testore, Carlo Antonio--Testore, Paolo Antonio--Tieffenbrucker, Leonardo--Todini, Michele; his method of stringing the Violono--Tononi, Carlo--Tononi, Carlo Antonio--Tononi, Giovanni--Tononi, Felice--Tononi, Guido--Trapani, Raffaele . . 219-222 Valenzano, G.--Vetrini, Battista--Vimercati . . . . . . . . . . . 222 Wenger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222 Zannetto, Pellegrino--Zanola, Giovanni Battista--Zanotti, Antonio--Zanti, Alessandro--Zanure, Pietro--Zenatto, Pietro . 222-223 SECTION VII.--THE FRENCH SCHOOL. Origin of the French School in the 17th century; followers of the Brescian and Cremonese types; mediocre character of their earlier efforts, with a few exceptions--De Comble and the second French School; Pique, Lupot, and Francois Gand; Silvestre, of Lyons--Introduction of the practice of Fiddle-baking; its failure--The copyist, and the Mirecourt factory, the "Manchester of Fiddle-making;" its destructive influence on the interests of true art . . . . 224-230 SECTION VIII.--FRENCH MAKERS. Aldric--Allar--Amelot--Aubry--Augiere . . . . . . . . . . . . . . 231 Bachelier--Bassot--Bernardel, Sebastien Philippe--Bertrand, Nicolas--Boivin, Claude--Boquay, Jacques; follower of Girolamo Amati--Borlon, Artus, or Arnould--Borlon (or Porlon), Pierre, Viol-maker--Borlon, Joannes--Borlon, Francois--Boullangier, C.--Boumeester--Bourdet, Sebastien--Bourdet, Jacques--Boussu, Eterbeck--Breton, Le--Brugere . . . . . . . . . . . . . . . . 231-234 CALOT--Castagnery, Andrea--Castagnery, Jean Paul--Champion, Rene--Chanot, Francois--CHANOT, GEORGES; an indefatigable worker, and close copier of Stradivari and Guarneri--Chanot, Georges, fils--Chanot, F.--Chanot, G. A.--Chappuy, Nicolas-Augustin--Chardon, Joseph--Charotte--Chevrier, Andre-Augustin--Claudot, Charles--Claudot, Augustin--Clement--Cliquot, Henri--Cliquot, Louis Alexandre--Cunault--Cuypers--Cuny . . . . . . . . . . . . . . 234-237 Daniel--Darche--David--DE COMBLE, AMBROISE; said to have worked with Stradivari; a skilful worker; good material and varnish--Dehommais--Delanoix--Delaunay--Deleplanque, Gerard--Derazey--Despons, Antoine--Dieulafait--Droulot--Ducheron, Mathurin--Du Mesnil, Jacques . . . . . . . . . . . . . . . . . 237-238 Eesbroek, Jean Van, Lute-maker . . . . . . . . . . . . . . . . 238-239 Falaise--Fendt, or Fent--Fleury, Benoist--Fourrier, Nicolas . . . 239