The Violoncello and Its HistoryWasielewski, Wilhelm Joseph von
History
The Violoncello and Its History
Wasielewski, Wilhelm Joseph von
Cellists; Cello -- History
AUGUST BIELER, born on May 9, 1863, at Hamburg, began his Cello studies
under Lee, in his fourteenth year, and continued them in Leipsic, where
he went in January, 1879, to be under Karl Schröder[123]; at Easter, in
1881, he was received into the Sondershausen band, of which he has been
first Cellist since 1885. He is at the same time giving instruction on
his instrument at the Conservatoire of Sondershausen. Bieler, who is
possessed of a remarkable technique, has distinguished himself both as a
solo and quartet player. His tone is powerful and full of energy, but,
at the same time, flexible and melodious, his manner of rendering full
of expression and extremely musical.
Lee’s younger brother, LOUIS, who is reputed to have had great skill in
bowing, was born in Hamburg in 1819. He also undertook several journeys,
during which he appeared at Leipsic, Cassel, Frankfort, Paris, and
Copenhagen. He published and wrote but very few cello compositions;
amongst them, “Trois Pièces gracieuses,” with piano accompaniment, must
have a prominent place.
Finally, another much valued Violoncellist of Hamburg, ALBERT GOWA,
must be mentioned, who obtained his education in the Leipsic Music
School, but on the Violoncello especially shared the instruction of F.
Grützmacher and Davidoff. He made himself advantageously known by his
public appearances, not only in German towns, but also in Copenhagen
and London; accepted an engagement from 1867-1868 at the Philharmonic
Society in his native town, and at the expiration of this he was
appointed solo cellist at the Bückeburg Court; he then returned to
Hamburg, where he is still living and working. He was born on April 14,
1843.
Some other German distinguished Violoncellists of modern times are
Ripfel, Gross, Bockmühl, Néruda, and Alwin Schröder.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account