The Violoncello and Its HistoryWasielewski, Wilhelm Joseph von
History
The Violoncello and Its History
Wasielewski, Wilhelm Joseph von
Cellists; Cello -- History
In the second half of the last century there was a violoncello virtuoso,
by name PIARELLI, who, about 1784, had printed in Paris six violoncello
solos. This is all that is known about him.
Of the brothers SPOTORNI, Gerber only says that, in 1770, in Italy,
“their native land, they were esteemed as violoncellists.”
A very skilful player was CAMILLO BARNI, born on January 18, 1762, at
Como. He received his first instructions in cello playing at the age of
fourteen years from his grandfather, David Ronchetti. Later on, Giuseppe
Gadgi, Canon of the Cathedral at Como, taught him for a few months. At
the age of twenty Barni joined the opera orchestra of Milan, of which he
became first violoncellist in 1791. In the year 1802 he went to reside
permanently in Paris, where he appeared as solo player, and then, for
several years, was an active member in the orchestra of the Italian
Opera. Between 1804 and 1809 he published several duets for his own
instrument and the violin. He also wrote a cello concerto.
Concerning the brothers BERTOJA, Gerber only says that both were
employed in Venice about 1800, as virtuosi on the violoncello, and were
reputed in Italy the first masters of their instrument.
FILIPPO LOLLI, son of the violin virtuoso, Antonio Lolli, was born
at Stuttgard, in 1773; practised the cello from early youth, and at
eighteen years of age made a concert tour, which led him to Berlin. Here
he was heard by the King, who was so pleased with his performance that
he recognised it by an honorarium of 100 louis d’or. Lolli then went to
Copenhagen, and in the year 1804 played at concerts in Vienna. There is
no more information about him extant.
Of SANDONATI, Gerber says that he lived in Verona in 1800, and was one
of the most renowned violoncellists of those times. Gerber announces the
same of the Mantuan, SHEVIONI, who worked about the same time apparently
in Verona.
While all these men were endeavouring to make an advance in violoncello
playing, and especially in violoncello compositions, the Italian nation
possessed in Boccherini an artist who surpassed in every direction his
countrymen.
LUIGI BOCCHERINI, the son of a contra-basso player, was born on February
19, 1743, at Lucca. He there received his first musical instruction
from the archbishop’s choirmaster, Vanucci. Besides the cultivation of
theory, he devoted himself with peculiar zeal to cello playing, of which
he was to prove a master. The very promising progress which he made
decided his father to send him to Rome for the further prosecution of
his studies, and where his talents attained their full development.
Public-domain text, read in full here on John Shaqi.
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