The Viper of Milan: A Romance of LombardyBowen, Marjorie
History
The Viper of Milan: A Romance of Lombardy
Bowen, Marjorie
Adventure stories; Historical fiction; Lombardy (Italy) -- History -- Fiction
Graziosa was not in her gorgeous residence. "She had gone to the little
summer-house in the garden," he was told, "to see the sun set, and pray
to Santa Teresa, whose name-day it was."
Visconti turned on his heel with an impatient shrug of the shoulders. He
was not attuned to passive virtue or to saintly prayers, nor was his
palace their best background.
He saw Tisio and his pages in the distance--behind them, the white
marble summer-house, standing on a gentle eminence, half hidden in
laurel; and as he advanced through the clustering flowers he saw Tisio
enter the low door, the scarlet liveries of the pages flashing through
the deep green.
The perfect evening was like music in its calm loveliness. Visconti felt
its charm; he was ever alive to obvious beauty, and none of his artist's
perception could have walked this glorious summer garden, at such an
hour, unmoved. His heart softened toward Graziosa: she had saved
Milan--for his sake: in his great triumph he could afford to remember
it, and the affection that prompted it, and set to her credit much else
she might seem to lack.
He picked a white rose from the bush that crossed his path, and stuck it
in his belt; he remembered she had often worn them--there was a bush in
Agnolo's bower, and they reminded him of her. He looked up at the white
summer-house, a square tower, distinct against the sky: the top window
was open wide, then suddenly blew to--and Visconti started at it
curiously and so suddenly that a pang shot through his heart. Then he
advanced with a quicker step toward the marble summer-house.
Graziosa stood in its upper chamber, a circular room, broken by three
large windows--the walls a marvel of serpentine and jasper, the
casements a glory of stained glass, through which there poured the last
rays of the setting sun, flooding everything with a thousand dazzling
colors.
A carved marble bench ran around the wall, and above it shallow niches,
in one of which stood a gilt lamp. On the floor lay a forgotten lute,
tied with a knot of cherry-colored ribbons.
Graziosa unlatched one of the windows; it opened center-wise, and the
girl stood, one hand on either leaf, the sun making her golden bright
from head to foot. Before her lay Milan, the beautiful, with its trees
and gardens, clear in the setting sun, that sunk, a fiery ball, behind
the distant purple hills. Graziosa breathed heavily. The tower looked
toward the western gate; the sun caught the roof of a little house
beside it, the roof of a house and a flock of white doves that flew
around it, as if looking for something they could not find. Near rose
the square tower of a little church, Santa Maria Nuova.
Graziosa stepped back into the room, letting the window fall-to with a
clang. Some one must come soon. With a piteous little gesture she
pulled at the jeweled fastening of her stiff satin robe. For some
moments her trembling fingers could not undo the great pearl clasp. At
last it opened, and the yellow robe fell apart.
Public-domain text, read in full here on John Shaqi.
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