The Viper of Milan: A Romance of LombardyBowen, Marjorie
History
The Viper of Milan: A Romance of Lombardy
Bowen, Marjorie
Adventure stories; Historical fiction; Lombardy (Italy) -- History -- Fiction
A rope of pearls bound her waist: with a hasty movement she undid them,
and let slip the gorgeous dress, that fell stiff and gemmed onto the
marble floor. Beneath was the blue robe she had worn when she first came
to the palace.
With hasty fingers she pulled the ornaments from her hair, throwing them
to the ground. Her long curls fell about her shoulders; a little sob
shook her throat; she looked wistfully around, and sank into the chair.
For a little while she sat silent, with closed eyes, panting.
Suddenly the sun sank, leaving the room dull, all the light and color
gone.
Graziosa opened her eyes with a little cry.
"I am so lonely!" she whispered to herself--"so lonely. I want some
one--to kiss me--good-by."
She rose and fumbled among the folds of her fallen gown; she found
something small she grasped tight in her cold fingers.
"I am not brave--ah, I fear I am not brave!"
She rested her head against the arm of the chair, as if collecting
herself; then, with a little smile, lifted it with a pitiful show of
courage.
The wind blew the unlatched window open, showing the city roofs and the
wall distant and gray; then it fell-to again, leaving the chamber dull,
almost dark, when a little later a footstep fell on the stair and the
door was pushed open.
Tisio stepped in, peering around with vacant eyes. D'Orleans had lost
his lute. Tisio remembered it left here. A heap of shimmering yellow
satin caught his eye--yellow satin and a great rope of pearls. He
marked it with vacant surprise, then, seeing the lute he sought for,
made for it eagerly. He was proud to do these things. It pleased him to
be so useful. He would not risk the page should find it. The lute lay
near the bench against the wall, and, picking it up, Tisio noticed that
some one sat there, some one very still and silent, against the cold
white marble. He dropped the lute and came nearer. The chamber was
utterly silent in the cold light, and the window was blowing to and fro
with a dismal, sullen sound; but Tisio knew no ghostly terrors, he was
not fearful of the dark.
He leaned over the figure eagerly, and when he knew it for Graziosa he
was pleased. He liked her. That morning she had met him and seized his
hands, and talked to him wildly, telling him with sobs something he
could not understand. He thought it had to do with Gian.
Her head lay back against the purple cushion, and Tisio stroked it
tenderly, fondling the beautiful bright curls that fell over the plain
blue dress.
"Pretty thing!" he said gently. "Pretty thing!"
He had no remembrance how he had stroked that hair before, in the
streets of Milan, in the sunshine.
She never moved under his touch, and something in the droop of her
attitude struck him.
"She is sad," he thought, and with a change of tone he lifted one of her
limp hands.
"Poor thing!" he said again. "Poor, pretty thing! Art thou sad, poor,
pretty thing?"
Public-domain text, read in full here on John Shaqi.
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