The Viper of Milan: A Romance of LombardyBowen, Marjorie
History
The Viper of Milan: A Romance of Lombardy
Bowen, Marjorie
Adventure stories; Historical fiction; Lombardy (Italy) -- History -- Fiction
"Say rather that his altar-piece draws him away from thee," laughed the
painter, "and thou wilt be nearer to the truth. The altar-piece has all
his time; thou but a few meager hours a week! Still, they love each
other, messer, and are happy, so we never care whether Ambrogio paint
well or ill." Graziosa seated herself under the blue sail, and looked up
with radiant eyes.
"I am very happy," she laughed softly, "so never mind whether he paint
the best or the second best in Italy."
The painter grasped the oars and pushed out into the stream: "Good-bye,"
he called, and Graziosa waved a hand; then something in the stranger's
aspect made the little painter pause again.
"Gladly would we offer our poor hospitality, messer," he said, "only the
gates are sternly barred to any stranger...." But Graziosa, glancing
also at the strong, commanding figure, and the stern set face, checked
her father's impulse.
"We are too humble, father," she said gently, "but if there were any
service we could render, any message--? We live at the sign of _Lo
Scudo_, the armorer's, near to the western gate."
"I will remember it," said Francisco simply.
Graziosa drew her blue cloth hood about her smiling face, and, with
gentle strokes from the painter's paddle, the boat disappeared.
When Francisco found himself alone again, momentary misgiving seized him
that he had lost an opportunity.
Could these folk have been of service? They were of a sort unknown to
him; courtiers, soldiers, burghers, merchants, with all such he was at
home, but these plebeians of kindly natures and good speech, of humble
rank and careless happiness, were new to him. The painter's talk of his
craft had had no meaning for Francisco, it had passed from his mind for
craziness; but the girl had said they dwelt near the western gate--could
they perchance have been of service? But presently he dismissed the
notion; they were too simple for his purpose.
Raging in the pain of rekindled memory and present helplessness,
Francisco paced to and fro, waiting for Vittore's figure in the
distance.
Suddenly his eyes rested again on the great clump of yellow lichen, and
he stopped, arrested.
In the midst of it he had seen something that interested him, something
very much its color, but not quite its kind.
He approached, and thrusting his hand in among the great tufts, touched
the rusty iron of a disused bolt. There was a door here, then, that led
into the grounds of the deserted villa!
Francisco's heart beat strongly.
Public-domain text, read in full here on John Shaqi.
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