The Viper of Milan: A Romance of Lombardy — John Shaqi
The Viper of Milan: A Romance of LombardyBowen, Marjorie
History
The Viper of Milan: A Romance of Lombardy
Bowen, Marjorie
Adventure stories; Historical fiction; Lombardy (Italy) -- History -- Fiction
But this was nothing to Francisco; with knife and dagger he cut the
woodwork around the lock, removed it, and thrusting his hand and arm
well through the breach, with no great difficulty withdrew the upper and
lower bolts. With knee and shoulder then he pressed inward, driving
against the weeds and growths that choked it, and presently had forced
an aperture that would admit him.
After many a cautious glance along the meadow path, fortunately for his
purpose little used, he replaced the loose strands of ivy as far as he
was able, and slipping through, pushed the door back into its place,
filling up the broken lock with green.
He was in a garden of great beauty. The yew-tree overhead shaded a
patch of velvety green starred with daisies. Before him a straight path
led to a marble seat and a belt of cypress-trees.
The ring-doves cooed blissfully; the flowering trees stirred; there was
no other sound save the distant one of faintly plashing water. Treading
softly, Francisco set forward in the direction in which he knew the
villa lay.
CHAPTER SIX
THE RESCUE OF COUNT VON SCHULEMBOURG
The house, a low, graceful building of white marble, was approached by a
broad flight of steps, flanked by a balustrade almost hidden in early
roses, which trailed in great clusters over it and along the velvet
turf. Fronting it was a great fountain, and a wide avenue of yew trees,
patched with sunshine, led up to the façade.
To right and left spread turf-grown paths, edged with orange and lemon
trees, and sweet with the scent of the citron and myrtle; around their
roots grew violets, primroses, daffodils; and behind, beyond, on all
sides, were grass and walks and trees, a sea of moving green.
The place was profoundly quiet. The statues, placed here and there,
looked out from the foliage smiling; the dainty seats of colored stone
were empty, innocent of satin skirt or ruffled cloak. There was no sign
of the recent care of man; no wild things stirred; beside the basins of
the fountains lay two peacocks, dead. The villa doors were open, showing
something of the long corridor that traversed the lower floor, but
silent as the scene without. The stillness was unnatural; the beauty of
the place, the two dead gorgeous birds, the open doors and lovely
sunshine, made an impression that appalled.
Public-domain text, read in full here on John Shaqi.
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