The Viper of Milan: A Romance of LombardyBowen, Marjorie
History
The Viper of Milan: A Romance of Lombardy
Bowen, Marjorie
Adventure stories; Historical fiction; Lombardy (Italy) -- History -- Fiction
Swept back by the others, the two Florentines gazed in amazement to
learn the cause of this panic. In the distance, brilliant between the
dark stone of the gateway of the city, fluttered a banner, blazoned with
the same device as those that blew above the walls. The peasants' eyes,
sharpened by fear, were quicker than Tomaso's: it was some seconds
before he could discern that the banner fluttered from the canopy of a
splendid coach, magnificent in gold and scarlet, issuing from the somber
shadow into the sunshine of the road; and as it drew nearer, he looked
with pleasure not unmixed with wonder at the rich gildings, fine silk,
the beauty of the four black horses, the size and magnificent liveries
of the huge negroes who walked at their heads. To him it was an
interesting sight, an incident of his travels. But to the Milanese
peasants it was the symbol of the dread power that ruled Lombardy with a
grip of blood, the device that kept Milan, the wealthiest, proudest city
in the north, cringing in silent slavery; the banner that had waved from
city after city, added by force or treachery to the dominions of Milan;
the banner of Gian Galeazzo Maria Visconti, Duke.
With trembling hands and muttered threats to their slow beasts, the
hinds dragged their burdens to the roadside, forcing the children back
into the hedges; leaving clear the ways. Cowering and awestruck, in
fascinated expectation, they stared, toward that oncoming banner, and at
the horseman who rode behind.
Still at the same measured pace the coach advanced; a cumbrous
structure, swung high on massive gilded wheels, and open under an
embroidered canopy of scarlet silk. At the head of each black horse
walked a negro, richly dressed in scarlet and gold. The trappings of the
steeds were dazzling, in stamped leather and metal.
But this splendor of array the peasant folk of Lombardy were used to; it
was not that that made them crouch as if they would ask the earth to
hide them, shiver and shudder yet farther back as if the soft green bank
could save them.
In the coach sat two, a man and a woman, but both so old and shrivelled
that the distinguishing characteristics of their sex were well-nigh
lost. Both were richly clad in furs, and half-hidden in satin cushions,
nothing of the old man visible but his wrinkled face, gray beard, and,
loaded with rings, thin yellow hands, the fingers of which were
clutching nervously at his heavy silken robe. The woman, painted and
bedizened under a large red wig, weighed down by a gown of cloth of
gold, and with pearls around her neck, wrung her hands together, and
whispered incoherently below her breath. Both had sunk together among
the cushions in an attitude of despair, the man looking steadily in
front of him with white face, the woman casting terror-stricken eyes
over the wretched spectators in a mute appeal for help, if even from
them.
Public-domain text, read in full here on John Shaqi.
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