"You’m a nice built chap, but just of that awkward weight ’twixt light
and middle. In the old days I knowed some of the best bruisers you
could wish to see were the same; but ’twas always terrible difficult to
get ’em a job, because they was thought too light for the heavies and
too heavy for the lights. But Dutch Sam in his day, and Tom Sayers in
his, showed how eleven-stone men, and even ten-stone men, can hit as
hard as anything with a fist. As for you, Bowden, you’ve a bit of the
fighting cut--inclined to be snake-headed, though your forehead don’t
slope enough. But you’re a thought old now."
"Not that I want to fight any man without a cause," said David. "If
there’s a reason, I’d fight anything on two legs--light or heavy--but
not for fun. And I hope you men--Mattacott and Ernest Maunder--haven’t
took offence where none was meant."
"Certainly not," declared Mr. Maunder. "I’ll take anything afore I take
offence. ’Tis my place to keep the peace, and if I don’t set an example
of it, who should? Twice only in my life have I drawed my truncheon in
the name of the Queen, and I hope I’ll never have no call to do it
thrice. Have a drink, David; then I must be going."
But Bowden declined with thanks, and the company soon separated.
When he was alone, fired by the prospect of seeing his old friend once
more, Reuben Shillabeer took a damp towel and, visiting each in turn,
polished up the portraits of a dozen famous pugilists which hung round
the walls of his bar. Where sporting prints of race-horses and
fox-hunting are generally to be met with, Mr. Shillabeer had a circle of
prize-fighters; and now he rubbed the yellow stains of smoke off the
glasses that covered them, so that the stern, but generally open and
often handsome countenances of the fighting giants looked forth from
their grimy frames. Before a print of the famous ’Tipton Slasher’ Mr.
Shillabeer paused, and thoughtfully stroked his battered nose.
"Ah, Bill Perry," he said, "if I’d been ten year younger--"
Then having extinguished two oil lamps, the old man retired and left his
gallery of the great in darkness.
*CHAPTER VII*
*DENNYCOOMBE WOOD*
Public-domain text, read in full here on John Shaqi.
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