Cara was a few paces ahead, flanked by Robin and the local doctor, who were
each endeavouring to secure her undivided attention. She was looking very
lovely, in an elusive frock of some ephemeral material veiling a delicate
prismatic undertone of colour. She always dressed rather wonderfully,
every detail perfect. There was a kind of frail, worldly charm about her
clothes--the sort of charm you never find in the clothes of a thoroughly
good and virtuous woman, as Lady Susan trenchantly observed one day.
Ann herself was acutely conscious of that faintly languorous, mysterious
atmosphere of charm with which Mrs. Hilyard seemed to be invested, and she
had sometimes wondered how Eliot was able to resist it and treat her with
the same cool detachment which he accorded to other people. To her there
was something magnetic in Cara's personality. Perhaps her very silence
about herself, and the vague background of an unhappy marriage of which Ann
was dimly aware, contributed towards it. She glanced up to see Eliot gazing
straight ahead, apparently supremely oblivious of that slender, gracious
figure in front, moving lightly betwixt Robin and the stooping, rather
clever-looking doctor.
Presently they all trooped into the hot-houses--warm and fragrant with the
smell of freshly-watered earth, and a rather fierce-looking gardener paused
in his work to exhibit this or that particular plant in which he took a
special interest. But the pride of the rectory was the orchid-house, and
insensibly everybody gravitated towards it.
Ann and Eliot were strolling along a little behind the rest, and she paused
a moment to rifle a pot of heliotrope of a spray of clustered blossom.
"Heavenly stuff!" she exclaimed, sniffing it rapturously. "Smell it!" And
she held it out just under Eliot's nose, obviously expecting him to share
her enthusiasm.
Nothing in the world brings back the past so poignantly as remembered
scents--neither sight nor sound. A pictured face, the refrain of
a song, may chance to stir the pulse of memory, but a remembered
fragrance--intangible, unseen--seems to penetrate to the inmost soul
itself, ripping asunder the veil which the years between have woven and
refashioning the dead past for us as vividly as though it had never died.
Even the very atmosphere of the moment rushes back, and thoughts and
feelings we had begun to believe inert and negligible reassert themselves
with the old irresistible force with which they swayed us years ago.
As Ann light-heartedly proffered her sprig of heliotrope, Eliot's face
whitened beneath its tan, and with a swift, almost violent movement he
snatched the spray from her hand and, flinging it on to the ground, set
his foot upon it.
She looked up in astonishment, then shrank back with a low exclamation of
dismay as she saw his face. It was altered almost out of recognition--the
mouth set in a grim straight line of bitterness, the eyes so hard that they
looked cruel.
Public-domain text, read in full here on John Shaqi.
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