Welsh literature -- 18th century; Welsh literature -- Translations into English; Wynne, Ellis, 1671-1734
whole crowd with clay pistols belching smoke and fire and slander of
their neighbours, and the floor already befouled with dregs and spittle,
I feared lest viler deeds should happen, and craved to depart.
Thence we went where we heard a loud noise, beating and clamouring,
crying and laughing, shouting and singing. “Well, here’s Bedlam and no
mistake,” quoth I. By the time we got in, the turmoil had ceased; one
man lay like a log on the ground, another was vomiting, another nodding
his head over a hearth full of battered flagons, and broken pipes and
mugs. On enquiring, what should it be but a carousal of seven thirsty
neighbours—a tinker, a dyer, a blacksmith, a miner, a chimney-sweep, a
bard, and a parson who had come to preach sobriety, and to show in his
own person how repulsive drunkenness is; and the beginning of the recent
altercation was a discussion and dispute they had as to which of the
seven callings loved best the pot and pipe; the bard had beaten all but
the parson and, due regard being observed for the cloth, he was adjudged
victor and worthy to be leader of his good comrades, and so the bard
wound up the discussion thus:
“Where can ye find such thirsty seven,
Search every clime and land?
And quaffing off the ruddy ale,
Bard and parson lead the band.”
Thoroughly tired of these drunken swine, we drew nearer the gate in order
to spy out the blemishes in the magnificent court of Love, the purblind
king, wherein it is easy to enter, but difficult to get out again, and
where are chambers innumerable. In the hall opposite the door stood
giddy Cupid, with two arrows in his bow, darting a languishing venom
called lust. Along the floor I saw many fair and comely women walking
with measured steps, and following them, wretched youths gazing upon
their beauty, and each one begging a glance from his mistress, fearing a
frown even more than death; now and then one, bowing to the ground, would
place a letter in his goddess’ hand, and another a sonnet, the while in
fear expectant, like schoolboys showing their task to the master. They
in return would favour their adorers with a simpering smile or two, just
to keep their desires on edge, but granting nought more lest their lust
be sated and they depart healed of the disease. Going on into the
parlour I saw them having lessons in dancing and singing, with voice and
hand, in order to make their lovers sevenfold madder than before; on
again into the dining hall where they were taught coy smartness in
eating; into the cellar, where potent love philtres were being mixed of
nail parings and the like; in the upper rooms we could see one in a
secret chamber twisting himself into all shapes, practising gentlemanly
behaviour when in his mistress’ presence; another before a mirror
learning how to smile correctly without showing his teeth too prominently
to his ladylove; another preparing his tale to tell her, repeating the
same thing an hundred times.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account