The Visitor's Hand-Book for Holyhead: Comprising a History of the Town, the Antiquities and Sublime Scenery of the MountainJackson, Thomas
History
The Visitor's Hand-Book for Holyhead: Comprising a History of the Town, the Antiquities and Sublime Scenery of the Mountain
Jackson, Thomas
Holyhead (Wales) -- Guidebooks
and the hungry ravens reddened their beaks from the war of men. From
this mountainous throne may also be seen the Isle of Man; Wicklow, the
garden of Ireland; the mountains in the county of Down, near the Bay of
Dundrum; Bardsey Island; the Cumberland hills, and parts of the Highlands
of Scotland: the vast expanding waters of the Carnarvon Bay, St. George’s
Channel, and Holyhead Bay, roll before you. Below you lies the Pier on
Salt Island, with the Light-house on the extremity—the New Harbour, with
its whistling engines, bustling workmen, and prancing horses; contiguous
to which stand the modern mansions erected for the accommodation of those
whose intellectual brains, like a main-spring, keep the stupendous
machinery in operation, and whose engineering mappings and dottings, and
sketchings and plannings, keep this corner of the world wide awake—the
Old Harbour, with its vessels and smaller craft in different stages of
preparation, and packets busily preparing for immediate sail—the modest
Obelisk peeping over the town—the Skerry Rocks—the sea-washed South
Stack, and other objects of interest, open out on every side
perspicuously to the view. The painter would be at a loss upon what
particular spot to fix his eye; turn which way he will, some beauty,
variable and exhaustless, is before him; it is impossible for either the
artist or poet to describe, with a hope of doing anything like justice
to, so picturesque and varied a landscape. The impression is that of
singular wildness and solitude, stretching in a succession of prospects,
fading into distant softening vista, as agreeable to the eye as the
imagination. While standing on this promontory, your thoughts flow
poetically, although you have neither rhythm nor music in your
composition.
Having filled every cell in the lungs with exquisitely pure air, that
comes direct from a “high ethereal source”—air so uncorrupted as to be
met with only far, far from the haunts of men, and the hum of human
cities, we must now bid farewell to this enchanting and enchaining spot,
but the scene will leave an undying impression on the mind.
I love to stand upon the hill,
And gaze on the ocean wide;
See ships of commerce—not of war,
On her bright bosom glide.
But now before our eyes the mirror fades,
Yet our strain’d glance shall linger on the scene.
A RAMBLE TO THE MOUNTAIN HEAD.
O! let us away to yon heights,
Where the Roman encamp’d him of old;
With his train’d bowmen and Knights,
And his banner all burnish’d with gold.
Public-domain text, read in full here on John Shaqi.
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