And then my heart with pleasure fills, And dances with the daffodils, she put her hand to her heart and with pleasure indicated by a sentimental flash of the eye upon the audience, danced a few graceful steps expressive of exuberant joy, and bowed herself off the platform amid the vociferous applause of the audience. The reader's taste in this case was no worse than that of the audience that applauded her. The incident shows how great the general lack of taste, and the need of the systematic study of fitness in the relation of thought to its expression.' I would say rather than 'lack of taste,' lack of spiritual life, although the former is closely allied with the latter. A reader who has assimilated the 'Daffodils,' who can sympathetically reproduce within himself the heart-dance of the poet, can better reveal that reproduction through the voice (the requisite vocal culture being assumed) than through such mimetic foolery as the above. He would not and could not condescend to the latter, if he had feeling deep enough truly to know the poem of the 'Daffodils.' True feeling is always serious, even if it be that of deep joy. The trouble with many public readers is, that they don't truly know, have not inwardly experienced, what they attempt to interpret vocally; and, as a consequence, they resort to what disgusts people of real culture. I was once present, by accident, at a lecture given by a Delsarto-elocutionary woman, and in the course of the lecture, she presented what, she said, would be false gestures in reciting Whittier's Maud Muller. She then recited the poem, with, according to her notions, _true_ gestures, which were more in number than Cicero made, perhaps, in his orations against Cataline, or Demosthenes, in his oration On the Crown. Every idea of the poem told outwardly on her body. If a woman, in reading Maud Muller, has emotions which _must_ find vent in gesture, and various physical contortions, she ought to be put under treatment that would tone up her system. The University of the Future, in order to be a vastly greater power than the University of the Present, must, at least, rank spiritual education with intellectual training and discipline. This the University of the near Future must do; the University of a more remote Future, we must believe, if we believe that the spiritual is the crowning attribute of man--that by which he is linked with the permanent, the eternal, will make all intellectual training and discipline, even all physical training, so far as may be, subservient to the spiritual man. Let us cry 'All good things Are ours, nor soul helps flesh more, now, than flesh helps soul!' The rectification of the intellect must, as the greatest poem of the century, Browning's 'Ring and the Book,' implicitly teaches, be through the rectification of the spiritual, absolute man.