I am quite surprised at what M. Ernest Legouvé says, in his 'Petit Traité de lecture à haute voix à l'usage des écoles primaires,' of the importance attached, in America, to reading aloud. In the very opening sentence of this work, he says, 'La lecture à haute voix compte, en Amérique, parmi les éléments les plus importants de l'instruction publique; elle est une des bases de l'enseignement primaire.' And elsewhere he calls upon the people of France to imitate the United States of North America, in making the art of reading aloud the very corner-stone of public education! Where could M. Legouvé have got this remarkable opinion of the high estimate, in this country, of reading aloud, as an educational agency? From whatever source he derived it, it is certainly most remote from the truth. What Sir Henry Taylor says of the neglect of the art of reading in England (Correspondence, edited by Professor Dowden, p. 225), is quite applicable to this country. After saying that he regards the reading of Shakespeare to boys and girls, if it be well read and they are apt, 'as carrying with it a deeper cultivation than anything else which can be done to cultivate them,' he adds, 'I often think how strange it is that amongst all the efforts which are made in these times to teach young people everything that is to be known, from the cedar of Lebanon to the hyssop on the wall, the one thing omitted is teaching them to read. At present, to be sure, it is a very rare thing to find any one who _can_ teach it; but it is an art which might be propagated from the few to the many with great rapidity, if a due appreciation of it were to become current. The rage for lecturing would be a more reasonable rage if that were taught in lectures which can be conveyed only by voice and utterance, and not by books.' Here, by the way, is indicated what the literary lecture should be. It is a comparatively easy thing to lecture about literary products and to deal out literary knowledge of various kinds, and cheap philosophy in regard to the relations of literature to time and place. A professor of literature might do this respectably well without much knowledge of the literature itself. But what students especially need is to be brought into direct relationship with literature in its essential, absolute character; so that the very highest form of literary lecturing is interpretative reading. Such reading brings home to sufficiently susceptible students what cannot be lectured about--namely, the intellectually indefinite element of a literary product. Much of what is otherwise done for students, in the way of lecturing, they could do quite as well for themselves. 'A book of criticism,' says Hume, 'ought to consist chiefly of quotations.' The same should be said of a literary lecture, with the important addition to the word 'quotations,' 'effectively read.'