The Voice of Science in Nineteenth-Century Literature: Representative Prose and Verse
Science
The Voice of Science in Nineteenth-Century Literature: Representative Prose and Verse
English literature -- 19th century; Literature, Modern; Science; Science in literature
If I have insisted so much on the course which criticism must take where
politics and religion are concerned, it is because, where these burning
matters are in question, it is most likely to go astray. In general, its
course is determined for it by the idea which is the law of its being: the
idea of a disinterested endeavor to learn and propagate the best that is
known and thought in the world, and thus to establish a current of fresh
and true ideas. By the very nature of things, as England is not all the
world, much of the best that is known and thought in the world cannot be
of English growth, must be foreign; by the nature of things, again, it is
just this that we are least likely to know, while English thought is
streaming in upon us from all sides, and takes excellent care that we
shall not be ignorant of its existence; the English critic, therefore,
must dwell much on foreign thought, and with particular heed on any part
of it which, while significant and fruitful in itself, is for any reason
specially likely to escape him. Judging is often spoken of as the critic's
one business, and so in some sense it is; but the judgment which almost
insensibly forms itself in a fair and clear mind, along with fresh
knowledge, is the valuable one; and thus knowledge, and ever fresh
knowledge, must be the critic's great concern for himself; and it is by
communicating fresh knowledge, and letting his own judgment pass along
with it,--but insensibly, and in the second place, not the first, as a
sort of companion and clue, not as an abstract lawgiver,--that he will
generally do most good to his readers.
Public-domain text, read in full here on John Shaqi.
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